Does the advertising giant Dentsu pull the strings of the Japanese media?
Mathieu Gaulène
June 1, 2016
Volume 14 | Issue 11 | Number 5
Sachie Mizohata, Translation from French and Introduction
Original French article in INA Global
Japanese translation by Uchida Tatsuru (see May 15, 2016)
Introduction: How the Advertising Giant Dentsu Dominates Japanese Media Presentation on Nuclear Power?
French journalist Mathieu Gaulène describes the business practices of Dentsu and its competitor Hakuhodo, the biggest and the second biggest advertising companies of Japan respectively. Specifically, it examines how their close relations to the media and the nuclear industry play out in the wake of the 3.11 earthquake, tsunami and nuclear disaster. Focusing Dentsu, Gaulène discusses how the marketing and public relations (PR) giant has dominated major media which large advertising contracts from the nuclear industry. The article is particularly timely as Dentsu unveils its deep ties to the Tokyo 2020 Olympic bid and the Panama Papers. Regrettably, however, with rare exceptions, there is little media coverage of the influence of Dentsu in mainstream Japanese newspapers and magazines.
According to the author, a partial translation of the French original was made by Kazparis (username), and quickly received more than 70,000 views on Twitter. Then, Uchida Tatsuru, a specialist in French literature, and HACK & SOCIETAS published two other Japanese translations. Soon after, Tokyo Shimbun and Mainichi Shimbun published long articles about Dentsu.
Summary
Dentsu, the fifth largest communication group in the world, holds a large share of the Japanese advertising market, which impacts media freedom in Japan. This is particularly true in relation to the nuclear power industry.
– Dentsu and information on nuclear power
– Indirect pressures on press journalists
– The 2016 comeback of nuclear advertisements and the resignations of TV journalists
The moment remains famous. On the eve of Japan’s Upper House elections, former actor Yamamoto Taro, an anti-nuclear power candidate supported by no party, campaigned on Twitter to win an upper house seat in the Diet. Censored by the media, the young candidate, famous for his verve, had mainly campaigned against nuclear power, but he also called out the big media, accusing it of being in the pay of sponsors and thus of electric companies and of systematically censoring critical information on nuclear power.
A television channel granted him an interview at the end of a program, but only after presenting a journalist to defend his profession. On screen, the young senator was given only one minute to respond. “I will take a simple example. Food can now hold up to 100 becquerels per kilogram; that means even just via eating we are irradiated. It is never said on television… ” Yamamoto had to stop. The ending jingle started, and the presenter at the studio announced, bantering, that the show was over, before launching an advertising page.
The video, which was available online for 3 years, was removed on May 16, 2016 shortly after the publication of this article.
Advertisements in Japan are literally everywhere: a veritable hell of posters or screens in trains and stations, giant posters on buildings, bearers of advertising placards or lorries with huge posters and loud PA systems in the streets: even advertising displays mounted atop urinals in some restaurants. In this advertising empire, the media are no exception. In the press, naturally, as in France, major companies pay for full page advertisements. But, above all in television. An entertainment show generally starts with the announcement of sponsors, and is interrupted every five minutes by numerous short advertising spots, where we often find the same sponsors. There is virtually no time for thinking, most TV channels offer programs close to the world of pachinko: garish colors, constant noise, and frat humor even of the most vulgar kind.
In this immense television arena, advertising is orchestrated by one of the global giants, Dentsu, the 5th communication group in the world and the number one ad agency. With its rival Hakuhodo, 2nd in the archipelago, the two agencies nicknamed “Denpaku,” combine advertising, public relations, media monitoring, crisis management for the largest Japanese and foreign companies, the local authorities, political parties or the government. Together they hold nearly 70% of the market. A true empire that some accuse of ruling the roost in the Japanese media.
A figure allows sizing up Dentsu’s reach: in 2015, the group secured nearly 7 billion euros in revenue, second only to the French Publicis with 9.6 billion euros during the same period. Most of its business is in TV advertisements. For example, Dentsu has created a commercial series for Softbank for almost ten years: the famous “Shirato” family characterized by a white dog as the father; an American black actor as the older brother; and Tommy Lee Jones as a housekeeper.
In July 2013, the group expanded internationally by acquiring the British Aegis for 3.7 billion euros to establish the Dentsu Aegis Network in London. This international network, consisting of ten advertising agencies in more than 140 countries, allowed the Japanese to beef up their activities, particularly in digital marketing, and to secure a position in the international market which accounts for more than half of its total global business (54.3% in 2015). Dentsu employs 47,000 people worldwide, including 7,000 in Japan.
Continue reading at Does the advertising giant Dentsu pull the strings of the Japanese media?
ref. Le publicitaire Dentsu tire-t-il les ficelles des médias japonais ? via Television
電通は日本のメディアを支配しているのか？via 内田樹の研究室
