Things that Go Boom: Nothing good happens after ‘nuclear midnight’ via PRI’s The World

Things That Go Boom is a co-production of PRX and Inkstick Media, and is a partner of PRI’s The World. This season, the podcast digs into backroom negotiations and political ploys, and asks: Is American foreign policy doing its job? Listen above and subscribe to the podcast to hear the whole story.

Directions on how to prep a fallout shelter may sound like something out of a 1960s pamphlet. But for Ron Hubbard, president of Atlas Survival Shelters, business is … booming.

Ron says he sold a shelter a month when he started out in 2011. Then, it was one a week. Now he sells about one a day. A lot of Hubbard’s clients are in Asia and the Middle East — places where the threat of a nuclear attack still feels as visceral as it did to the US in the 1960s.

[…]

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汚染土最大200万立方メートル 復興拠点の除染で初試算 via KYODO

 東京電力福島第1原発事故に伴う帰還困難区域の一部を再び人が住めるように整備する福島県内6町村の「特定復興再生拠点区域(復興拠点)」の除染で、汚染土などが最大約200万立方メートル出ると環境省が試算していることが12日、分かった。復興拠点の除染による汚染土の総量が明らかになるのは初めて。

[…]

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As Reactors Shut in Massachusetts and Pennsylvania, Nuke War Rages in Ohio and New York via Reader Supported News

By Harvey Wasserman

s the nuke power industry slumps toward oblivion, two huge reactors are shutting in Pennsylvania and Massachusetts. 

The shutdowns are a body blow to atomic energy. The soaring costs of the decayed US reactor fleet have forced them to beg gerrymandered state legislatures for huge bailouts. 

Just two US reactors are still being built. Stuffed with $12 billion in interest-free federal loans, Georgia’s Vogtle is nearing a staggering $30 billion in cost. Years behind schedule, the lowest possible costs of whatever electricity the two reactors there might produce already far exceed wind and solar.

Virtually none of the 98 US reactors now operating can compete with wind, solar, or methane. All but one are more than twenty years old, with serious issues of obsolescence and decay; some are more than forty, operating far behind their original design life.

[…]

Designed in the 1960s, FirstEnergy’s Davis-Besse opened near Toledo in 1977. A serious accident presaged the 1979 meltdown at its doomed clone, Three Mile Island Unit Two.

In 2002, boric acid ate Davis-Besse’s infamous “hole in the head” to within an inch of irradiating the entire Great Lakes and north coast.

The leaks are still an issue. But Davis-Besse’s owners sawed off the top of an abandoned Michigan nuke, cut through the containment building, and pasted it into the damaged reactor. The radioactive shield building is crumbling along with the rest of the nuke, from top to bottom.

East of Cleveland, Perry opened in 1986, just after the first earthquake that damaged a US nuke. To this day, no operators have been forced to run a reactor caught amidst a seismic shaking.

[…]

[…]FirstEnergy burns huge quantities of gas, oil, and coal but hypes its “emissions free” nukes that spew Carbon 14, heat, and radiation. The industry does not want to mention or pay for its thousands of tons of radioactive waste.

Such details are loudly overlooked by a mutant choir trumpeting nukes as “zero emission.” All reactors spew deadly isotopes along with climate-killing heat and some Carbon 14. They stand in the way of the wind, solar, batteries, and LED efficiency that comprise our only route to saving the climate.

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福島第一原発2号機原子炉への注水止める試験 温度上昇は想定内 via NHK News Web

福島第一原子力発電所2号機で東京電力は13日、事故後、続けられていた溶け落ちた核燃料を冷やすための原子炉への注水を一時的に止める試験を行いました。

(略)

福島第一原発1号機から3号機の原子炉格納容器の内部には溶け落ちた核燃料と構造物が混ざり合った「燃料デブリ」がありますが、原子炉の温度は注水によって20度前後で安定しています。

東京電力は13日、トラブルなどで、原子炉の冷却が一時的にできなくなる緊急時の対応に生かすために、注水を止めて上昇する温度を確認する試験を初めて行いました。

試験はことし2月、「燃料デブリ」とみられる堆積物に初めて触れる調査が行われ、温度計の信頼性が高い2号機で行われ、午前10時40分からおよそ7時間半にわたって、原子炉への注水量をゼロにしました。

その結果、注水を再開した午後6時17分現在の温度が25.7度で、この間の温度の上昇は1.2度と、現段階では想定の範囲内で、東京電力はもし、原子炉の冷却ができなくなるような事態が発生しても、対応する時間は確保できるとしています。

全文は福島第一原発2号機原子炉への注水止める試験 温度上昇は想定内

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Tepco tests halting water injection into crippled reactor at Fukushima No. 1 nuclear power plant via The Japan Times

FUKUSHIMA – The operator of the Fukushima No. 1 nuclear power plant conducted a test Monday temporarily halting the water being injected into one of the reactors that suffered a core meltdown in the wake of the 2011 accident.

Through the test, which was the first of its kind, Tokyo Electric Power Company Holdings Inc. plans to obtain data on how the temperature inside the No. 2 reactor could rise in the event of an emergency, and use that information to update its planned response.

More than eight years since the start of what has become one of the world’s worst nuclear crises, Tepco continues to pour water into the Nos. 1 to 3 reactors in order to keep the melted fuel debris inside them cool.
At 10:40 a.m. Monday, Tepco completely halted the water injection into the No. 2 unit, which usually receives around 3 tons of coolant per hour.
The temperature at the bottom of the reactor pressure vessel, a container that is supposed to hold the fuel, stood at about 24.5 degrees Celsius. Tepco expected the reading to rise by up to 4 C following the seven-hour test.

[…]

The condition of the reactors is now kept relatively stable through recovery efforts, but a massive amount of contaminated water has accumulated at the plant as a result.

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Will Art Save Our Descendants from Radioactive Waste? via Jstor Daily

What if the great threat to human life isn’t a bomb dropping down from above but radioactive waste creeping up from below? Will art come to our rescue then?

Before a world that trembled beneath the threat of nuclear holocaust, William Faulkner took the stage to accept his Nobel Prize for Literature. It was 1950. The Soviets had detonated their first atomic bomb a year earlier, and Truman had responded by announcing plans to build a bomb 500 times as powerful as the one that brought World War II to a terrifying close in Nagasaki. In the face of all this, Faulkner maintained that art could be “one of the props, the pillars to help [man] endure and prevail.” The greatest threat to human life, he believed, was not the bomb itself, but failures of understanding and empathy that might lead one society to drop it on another.

John Steinbeck concurred. A decade later, with the world in the grip of the Bay of Pigs conflict, he concluded his Nobel Prize speech by paraphrasing Saint John the Apostle: “In the end is the word, and the word is man, and the word is with man.” Where there are failures of understanding, art might just save the day.

[…]

The story begins in the interval between the two speeches by Faulkner and Steinbeck, when questions began to arise about the safe disposal of radioactive waste. Where should the waste be stored to keep ordinary citizens at a safe distance? And what about the safety of future generations, since transuranic waste is believed to remain highly toxic for more than 24,000 years?

As early as 1973, the government agency that would become the Department of Energy (DOE) recognized an ethical obligation to store nuclear waste in a way that would prove least harmful to humans deep into the future. Thus the Waste Isolation Pilot Plant (WIPP) was conceived. At first it seemed an engineering challenge par excellence: build containers for nuclear waste that could outlast the toxicity, bury them in a remote place, and the case would be closed. However, as NPR reported, a radioactive leak at the WIPP in 2014 suggests this is easier said than done.

[…]

Both teams recognized that the chief difficulty was the inescapable cultural specificity of symbols. Many of our ordinary modes of communicating danger today might fail to signify across nearby borders, let alone across great distances of time. But each team used a different strategy to overcome this challenge. Team A proposed an archetypal solution—a maximally unappealing work of architecture that would appeal to the affective powers of future humans. Team B proposed a narrative solution—a series of pictographs or comic strips that would appeal instead to their cognitive powers.

Team A’s guiding belief was that, although human symbols might be culturally specific, human physiology would remain largely unchanged across the relevant millennia. As environmental critic and cultural theorist Peter C. van Wyck puts it, “they began with the assumption that certain physical forms have the capacity to convey extralinguistic, stable pancultural meaning.” They reasoned, therefore, that evoking foreboding or disgust would be the best safeguard against human intrusion. Future humans would be guided away from the site not by a message from without, but by a feeling from within.

[…]

Team B was more optimistic than Team A that symbols could be transmitted across time. Both teams’ plans feature a gargantuan monument surrounded by earthen berms, granite markers, and information in many languages. But whereas Team B wished to attract visitors to the center of the monument so that complex messages could be communicated, Team A wished to cut visitors off at the pass, luring them in only far enough that they could be sufficiently affected by the monument’s utter abjectness.

[…]

But if Team A’s anti-idealist monument risks attracting too many people to the WIPP, the earthwork chosen by the DOE risks attracting too few. It is unlikely that any of our known languages, or even any of our cultural indices, will survive 800 generations into the future. But the odds spike precipitously in our favor if one of the world’s great architectural marvels beckons generations of tourists to its increasingly strange hieroglyphics. Taking liberties with Steinbeck, we might say that if the word is indeed to be with man, man must be with the word, generation after generation.

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福島の汚染土 棚上げでは復興は見えぬ via 信毎Web

東京ドーム1・6個分(200万立方メートル)の汚染土が出る―。

 福島県の帰還困難区域で整備する「特定復興再生拠点区域(復興拠点)」を巡り、環境省がこんな試算をはじき出した。

 汚染土は福島第1原発に隣接する中間貯蔵施設に運び込むが、最終処分地は決まっていない。

 政府はどう処分するつもりなのか。地元と十分に話し合うこともなく、根本策を棚上げしたまま復興を主導してきたつけが回ってきている。

(略)

復興拠点の対象は帰還困難区域の8%にすぎない。6町村は全域を除染し、避難解除の時期を示すよう求めている。国が受け入れれば、汚染土は何倍にも増える。

 居住制限区域と避難指示解除準備区域などから出た汚染土だけでも1400万立方メートルに上る。国は住民の反対を押し切って中間貯蔵施設を造る際、当てもないままに「2045年3月までに福島県外で最終処分」と約束した。

 汚染土の一部を道路整備に再利用する環境省の減量計画も、実証試験地の住民が強く反発し、早くも行き詰まっている。

(略)

この4月、第1原発が立地する大熊町の一部で避難指示が解除された。政府からは「これで復興五輪を内外に発信できる」との声が聞かれた。形ばかりの復興を急ぐ姿勢は相変わらずだ。

 ふるさとの再生とコミュニティーの再建を福島の人々は願っている。国は除染や廃炉に関する情報を全て開示し、今後の見通しも隠さずに伝えた上で、それぞれの自治体が採る選択肢を下支えしなければならない。

全文は福島の汚染土 棚上げでは復興は見えぬ

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Asian Americans Speak Out Against Movie On Hiroshima That Stars Evan Rachel Wood via Huff Post

They say that “One Thousand Paper Cranes” shouldn’t need a white person to help tell the story of people of color.

Asian Americans are speaking out about the news that actress Evan Rachel Wood has been tapped to star in “One Thousand Paper Cranes,” a movie about the aftereffects of the atomic bomb dropped on Hiroshima.
Variety reported late last week that Wood will play author Eleanor Coerr in the film, which is based on the true story of Hiroshima survivor Sadako Sasaki. Wood will appear alongside another white actor, Jim Sturgess, and Japanese actress Shinobu Terajima.

And people aren’t too happy, pointing out that white stars are not necessary to validate the stories of people of color. 

[…]

Raymond said that the film is based on Takayuki Ishii’s book “One Thousand Paper Cranes: The Story of Sadako and the Children’s Peace Statue.” The director said he contacted Ishii five years ago “in the spirit of a close collaboration to ensure Sadako’s story, and that of all Hibakusha, was honored with the utmost cultural respect.” (Hibakusha is a term for the survivors of the atomic bombs the U.S. dropped on Hiroshima and Nagasaki.) Raymond added that the film will be told from Sadako’s “point of view, filmed in Japanese with a Japanese cast.”

“The film separately tells the story of Eleanor Coerr, who wrote the fictional children’s book ‘Sadako and the Thousand Paper Cranes’ (which this film is not based on) and brought the story to international fame, further cementing Sadako’s legacy of peace and hope through the powerful symbol she created,” he said. 

The movie has received support from Sadako’s family, the Hiroshima Peace Museum and the Hiroshima Film Commission, according to Raymond. He said that the “entire creative team has gone to great lengths to protect the authenticity of Sadako’s story and everything she represents.”

[…]

“This type of story typically does not honor the victims because, like ‘The Help,’ the white female author’s voice becomes privileged over those of the women of color she tried to capture,” the sociologist explained, referring to the 2011 movie about a white writer’s relationship with two black women who work as maids. 

Instead, Yuen said she’d like to see the victims of the bomb at the center of the story. She added that is one tale that Hollywood has yet to tackle.
Yuen cited “American Girl,” which was shown at the Tribeca Film Festival in April, as an example of centering the experience of a woman of color. The movie fictionalizes the Patty Hearst story through the lens of Japanese American antiwar activist Wendy Yoshimura, played by Hong Chau.

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広島で被爆した少女を描いた小説の映画化に批判殺到!白人至上主義だ via 東スポWeb

終戦直前の1945年8月6日、当時2歳で広島で被爆し、白血病を発症してわずか12歳で亡くなった佐々木禎子さんの生涯を、ハリウッドが映画化することを決定し、先日主要キャストが発表された。ところが白人女優が主役に抜てきされたことから、米国内ではアジア系市民を中心に「ホワイトウオッシング(白人至上主義)だ!!」と反発が広がっている。

映画「One Thousand Paper Cranes(千羽鶴)」の主人公は、77年に児童向け小説「サダコと千羽鶴」を出版した米絵本作家エレノア・コア。同小説がきっかけとなり、禎子さんが病床で折り続けた千羽鶴の話が世界中に広まった。そのエレノア役にミュージカル映画「アクロス・ザ・ユニバース」のエヴァン・レイチェル・ウッド(31)が決まったのだ。

これにSNSでは「いい映画には白人が必要なんだね」「広島の原爆で1万4000人以上が犠牲になった。ハリウッド↓『そうだ、被爆者を取材した白人女性の映画を作ろう』」など、皮肉たっぷりの批判が殺到している。

(略)

同監督によると本作品は2001年に出版されたイシイ・タカユキ氏による同名の小説が原作。5年前にイシイ氏に映画化について伝え「サダコや他の被爆者の物語を忠実に伝え、最大の敬意を払うため、イシイ氏と綿密な協力関係のもと映画化に取り組んでいる」と明かした。

レイモンド監督はまた「この映画はサダコの視点から語られる作品で、(寺島しのぶを含む)日本人もキャスティングされていて、日本で撮影される」とし、エレノアが中心のストーリーではないことを強調。エレノアについては「サダコの話とは別に展開する」と説明した。

ウッドや寺島の他には英俳優ジム・スタージェスの出演が決まっているが、禎子さん役はまだ発表されていない。

全文は広島で被爆した少女を描いた小説の映画化に批判殺到!白人至上主義だ

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From the A bomb to the AI bomb, nuclear weapons’ problematic evolution via France 24

At 2:26 A.M. on June 3, 1980, Zbigniew Brezezinski, US President Jimmy Carter’s famously hawkish national security adviser, received a terrifying phone call: 220 Soviet nuclear missiles were heading for the US. A few minutes later, another phone call offered new information: in reality, 2,220 missiles were flying towards the US.

Eventually, as Brezezinski was about to warn Carter of the impending doom, military officials realised that it was a gargantuan false alarm caused by a malfunctioning automated warning system. Thus, the Cold War nearly became an apocalypse because of a computer component not working properly.

This was long before artificial intelligence (AI) rose to prominence. But the Americans and Soviets had already begun to introduce algorithms into their control rooms in order to make their nuclear deterrence more effective. However, several incidents – most notably that of June 3, 1980 – show the disadvantages of using AI.

[…]

The dark side of AI in nuclear weapons

There is, however, a very dark side to AI. By nature, it implies the delegation of decision-making from humans to machines – which would carry serious “moral and ethical” implications, noted Page Stoutland, vice-president of the American NGO Nuclear Threat Initiative, which collaborated in the SIPRI report.

On this basis, “the guiding principle of respect for human dignity dictates that machines should generally not be making life-or-death decisions”, argued Frank Sauer, a nuclear weapons specialist at the University of Munich, in the SIRI study. “Countries need to take a clear stance on this” so that they don’t have robotic hands on the red button.

That’s while algorithms are created by humans and, as such, can reinforce the prejudices of their creators. In the US, AI used by the police to prevent reoffending has been shown to be “racist” by several studies. “It is therefore impossible to exclude a risk of inadvertent escalation or at least of instability if the algorithm misinterprets and misrepresents the reality of the situation,” pointed out Jean-Marc Rickli, a researcher at the Geneva Centre for Security Policy, in the SIRI report.

Risk of accidental use

Artificial intelligence also risks upsetting the delicate balance between the nuclear powers, warned Michael Horowitz, a defence specialist at the University of Pennsylvania, in the SIRI study: “An insecure nuclear-armed state would therefore be more likely to automate nuclear early-warning systems, use unmanned nuclear delivery platforms or, due to fear of rapidly losing a conventional war, adopt nuclear launch postures that are more likely to lead to accidental nuclear use or deliberate escalation.” That means that the US – which boasts the world’s largest nuclear stockpile – will be more cautious in adopting AI than a minor nuclear power such as Pakistan.

In short, artificial intelligence is a double-edged sword when applied to nuclear weapons. In certain respects, it could help to make the world safer. But it needs to be adopted “in a responsible way, and people needs to take time to identify the risks associated with AI, as well as pre-emptively solving its problems”, Boulanin concluded.

One sobering comparison might be with the financial services industry. Bankers used the same arguments – the promises of speed and reliability – to introduce AI to the sector as those used by its advocates in the nuclear weapons field. Yet the use of AI in trading rooms has led to some very unpleasant stock market crashes. And of course, nuclear weapons will give AI much more to play with than mere money.

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