Category: Images on the Web

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Images on the Web Innovative Technology VRC

BnF Launches new Gallica iPad App

The Bibliothéque Nationale de France recently released an iPad app for their digital library Gallica. The app, also called Gallica, contains nearly 2 million freely available items from the BnF, including books, journals, manuscripts, photographs, prints, posters, cards, and music scores among many others.

The app allows you to search or browse through all digitized material available through the BnF, and each document can be viewed in its entirety. You can create a favorites list, view the full bibliographic record, download entire documents or individual pages, email links, or share the object on social media outlets including Facebook and Twitter.

You can download the app here, or stop by the VRC to check it out on our iPad!

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Image Quality Images on the Web Museums News

Rijksmuseum’s Collection Available Online Through RijksStudio

Today, the Rijksmuseum in Amsterdamn is launching RijksStudio, a digital collection of 125,000 works in the collection. We posted about the first installment about a year ago, and now they’ve fully unveiled their impressive new image platform.

All works in the RijksStudio are available for users to download for personal use as a high-quality jpeg image file. (Using images for professional and commercial uses is possible, but requires filling out a form to obtain permission from the museum). Depending on the type of use, print, and format, images can be downloaded either free or charge or for a fee.

 

In addition to browsing and searching the collection, you can create image groups or explore the image groups of other users. In depth content such as context about art movements, artists’ biographies, and other historical events is available when browsing through facets or when viewing an individual work. Images can be shared on various public media platforms including Facebook, Twitter, and Pintrest. You can also easily order reproductions of the images.

The image records for objects in the collection contain an absolute wealth of information, including basic object data, exhibition histories, provenance, related artworks, copyright status, and a section called “Documentation,” which serves as a bibliography of the object with links to published references of the work including scholarly articles, monographs, and exhibition catalogs. When online content is available, the object data includes links—for example, links to JSTOR articles.

You can create an account using your email address or log in through your Facebook account. For more information or to start exploring, click here.

Via ArtDaily

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Images on the Web

Blast From the Past: Hilarious Halloween Costumes

Happy Halloween! Visual News has posted some hilarious vintage photographs of amazing Halloween costumes—enjoy!

 

Via Visual News

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Image Quality Images on the Web Innovative Technology

HINT.FM’s The Art of Reproduction

Fernanda Viégas and Martin Wattenberg of the information visualization duo HINT.FM have looked at the problems of inconsistency in digital reproductions of fine art images.  Noticing how multiple reproductions of the same work of art could vary wildly in terms of quality, color, texture, and cropping, they started their project “The Art of Reproduction“:

For a set of famous artworks, we downloaded all the plausible copies we could find. Then we wrote software to reconstruct each artwork as a mosaic, a patchwork quilt where each patch comes from an individual copy.

The resulting compositions (which explore paintings, photographs, drawings, and detailed sections) visually demonstrate the discontinuities of the individual files, creating what HINT.FM calls “a tapestry of beautiful half-truths”. To view all the reproduction-compositions they created, click here.

And don’t forget—if you ever have any trouble finding, creating, or displaying the most accurate images possible, don’t hesitate to contact the VRC!

via HINT.FM

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American Images on the Web Innovative Technology VRC

A Handsome Atlas

 

Interested in information visualization and/or 19th Century American culture?  Explore “A Handsome Atlas,” a recent project by the Brooklyn Brainery, which displays reproductions of the Statistical Atlases of the United States of America from 1870, 1880, and 1890. Although these maps, charts, and graphs were created more than a hundred years ago, they are surprisingly modern in their display of information.

While the images are all available online through the Library of Congress and a long list on the US Census website, A Handsome Atlas provides a much more elegant interface image viewer that allows for easily viewing the contents of each atlas and zooming in on individual plates. Users have the options to filter by countless subjects pertaining to life in the US—including liquor, lumber, and Lutherans among many others—or to filter by specific categories of visualization devices, including pie charts, radar charts, and treemaps.

Users also have the option to view each plate on the Library of Congress website and to freely download image files in high, medium, or low resolution.

Additionally, the 1880 and 1890 Statistical Atlases were undertaken by Henry Gannett, largely considered to be the father of American mapmaking. The David Rumsey Map Collection contains more than 170 government-sponsored maps, charts, and geological surveys by Gannett. Click here to view.

Via Information Aesthetics

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Images on the Web VRC

Leo Baeck Institute’s Archive of Jewish Life Now Online

 

Yesterday the New York Times announced, “The Leo Baeck Institute, a New York research library and archive devoted to documenting the history of German-speaking Jewry, has completed the digitization of its entire archive, which will provide free online access to primary-source materials encompassing five centuries of Jewish life in Central Europe.”

The online collection for the Leo Baeck Institute is called DigiBaeck, and is:

a growing treasury of artifacts that document the rich heritage of German-speaking Jewry in the modern era. DigiBaeck provides instant access to materials ranging from rare 16th century renaissance books to memoirs that document the experience of German-Jewish émigrés across the world in the 20th century.

In addition to manuscript material and archival photographs, more than 2,600 art objects have been digitized and are accessible on the website. While there is a lot of material digitally available now, on October 16, the expanded archive will be released online, representing the archive online in its entirety.

Via the New York Times

 

Categories
Images on the Web Innovative Technology VRC

Art.sy: a New Online Art Discovery Tool

The New York Times wrote yesterday of a new start-up called Art.sy, which is digitizing works of fine art to catalog in its database, called the “Art Genome Project”. Their service is similar to Pandora, which mapped a “music genome” in order to encourage user discovery of new songs, or Netflix, which uses algorithms to predict and suggest films and movies a user might like.

Art.sy already has 20,000 images in their database, is partnering with galleries, museums, and other cultural institutions to increase their catalog. In addition to traditional subject, genre, and period/movement based descriptions, Art.sy’s team is also tagging works with categories that their system will use “to make connections that are seemingly from different worlds.” These categories include ideas such as “focus on the social margins,” or “personal histories,” and “private spaces.” The system will also search for images that are most similar in terms of composition and color, providing yet another way to access different images.

For more information, see Art.sy’s blog or visit the Art.sy website, where you can request a login or browse the beta site.

Via New York Times

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Exhibitions Images on the Web Museums Photography VRC

Faking It: Manipulated Photography Before Photoshop

The Metropolitan Museum of Art recently released a new iPad app, “Faking It: Manipulated Photography Before Photoshop” to accompany a current photography exhibition.

Digital cameras and image-editing software have made photo manipulation easier than ever, but photographers have been doctoring images since the medium was invented. The false “realities” in altered photographs can be either surprising and eye-catching or truly deceptive and misleading.

Faking It is a quiz that asks players to spot which photos are fake and figure out why they were altered. Through fifteen sets of questions accompanied by more than two dozen remarkable images, the Faking It app challenges misconceptions about the history of photo manipulation.

Images in the app range from a heroic portrait of Ulysses S. Grant to a playful portrait of Salvador Dalí, and from New York’s glamorous Empire State Building to Oregon’s sublime Cape Horn.

The app complements the exhibition Faking It: Manipulated Photography Before Photoshop (on view October 11, 2012–January 27, 2013).

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Images on the Web Museums VRC

The Rembrandt Database

For years Rembrandt’s paintings have been the subject of many exhibitions and publications and a specific focus of technical research, which has produced an extensive and wide-ranging body of information and documentation. This material is preserved in various museums, research institutes, archives and laboratories around the world. The documentation is generally difficult to access, still unavailable in digital form, and not yet organized as a coherent and interrelated body of material.

The Rembrandt Database is a sustainable repository of existing information and documentation that is made available in a technologically advanced way. This service does not aim to replace the study of original objects or consultation among colleagues, but rather to speed up and facilitate research.

For more information and to explore the database, view the website.

 

 

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Exhibitions Images on the Web Innovative Technology Modern - Contemporary Museums

Tate’s Gallery of Lost Art

The Gallery of Lost Art is an online exhibition that tells the stories of artworks that have disappeared. Destroyed, stolen, discarded, rejected, erased, ephemeral—some of the most significant artworks of the last 100 years have been lost and can no longer be seen.

This virtual year-long exhibition explores the sometimes extraordinary and sometimes banal circumstances behind the loss of major works of art. Archival images, films, interviews, blogs and essays are laid out for visitors to examine, relating to the loss of works by over 40 artists across the twentieth century, including such figures as Marcel Duchamp, Joan Miro, Willem de Kooning, Rachel Whiteread and Tracey Emin.

Jennifer Mundy, curator of The Gallery of Lost Art, says: “Art history tends to be the history of what has survived. But loss has shaped our sense of art’s history in ways that we are often not aware of. Museums normally tell stories through the objects they have in their collections. But this exhibition focuses on significant works that cannot be seen.”

 

The virtual exhibition launched on July 2, 2012, and will be available online for only one year before it too is “lost.” A new artwork will be added each week for 6 months.