The Department of Photography announced this week a new website focused on the museum’s Alfred Stieglitz photography collection. The interactive collection features high-quality reproductions of all 244 photographs in the collection gifted by his widow, Goergia O’Keefe in 1949. The majority of prints are by Stieglitz himself, but also by Ansel Adam, Julia Margaret Cameran, Paul Strand, Edward Steichen, and many others in his circle. Furthermore, the site highlights new conservation analysis, 900 images, scholarly essays, and downloadable files. Explore the site at media.artic.edu/stieglitz
In the early 1970s, art historian Georg Stahl extensively researched and documented the Chicago Mural Movement. This material was used to teach a Mural Painting course at the School of the Art Institute of Chicago with the late UChicago Professor Emeritus, Harold Hayden. In late 2014, Stahl graciously reached out to the Visual Resources Center and offered his material to help build our digital collections of Chicago Black Art. Over 600 slides, maps, and charts were digitized and now make up the Georg Stahl Mural Collection. Please visit http://stahl-collection.lib.uchicago.edu to browse the collection!
The University of Chicago has recently released a new web resource called Public Art on Campus which seeks to catalog, document, and provide contextual and critical information about the works of art on campus. There is an accompanying video which provides an overview of the works on campus. The website allows users to browse works by location, artist, and title and for selected works users can read an artist bibliography and an essay about the work. These selected works also include archival images and documents relevant to the work.
The VRC supports this project by maintaining the UChicago Public Art Collection and Archive in collaboration with the Smart Museum of Art, UChicago Arts, and Christine Mehring of the Department of Art History. This dedicated, password-protected collection is accessible to all on-campus users and off-campus users who have a CNetID and password. If you’d like to explore more, the Luna collection contains archival photographs, audio, video, conservation information, and other ephemeral documentation pertaining to the public works on campus.
The Archives of Asian Art has just published an article by Assistant Professor Chelsea Foxwell! Titled “The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan,” Foxwell examines the scenes of the Illustrated Life of Ippen, 1299 by En’i and suggests that rather than “a biographical narrative, it can also be seen as an ink landscape journey in handscroll form.” This journey is beautifully described throughout the article and is accompanied by over 25 color details. Scroll 7 of the Illustrated Life of Ippen is publicly available on the Digital Scrolling Paintings Project website, which features annotations and a live scrolling feature. Visit both sites linked above to learn more!
Image: En’i, Ippen hijiri-e (Ippen shōnin eden), 1299, scroll 7, scene 3. Nenbutsu dancing at the Kūya hall, Ichitani, near Kyoto. Ink and color on silk (handscroll), h: 38.2 cm. Tokyo National Museum.
Cambridge University recently announced that they have digitized objects from the Library’s Chinese collections and made them freely available on-line. Digitized items include a collection of oracle bones that display some of the earliest examples for writing anywhere in the world, as well as the manuscript “Manual of Calligraphy and Painting.” This manuscript is incredibly rare and the binding so fragile that many of the prints have never been seen until now. The library has also digitized early printed books and a 14th-century banknote!
The digital images are accompanied by short description of the work and includes metadata in English and Chinese. They can be downloaded under a Creative Commons Attribution-NonComercial license. Reproduction rights can also be requested through the site.
The Visual Resources Center is very pleased to announce that thousands of images from the Smart Museum of Art’s collection are now available in LUNA. From the 14,000 objects in the Smart’s collection, there are now over 5,000 unique images of artwork from the collection encompassing multiple countries, cultures, and time periods. More images are being added on a regular basis. The collection can be found here
The collection in LUNA reflects the strengths of the Smart Museum of Art’s collection, which include modern, Asian, European, and contemporary art. Through this project, the VRC has made available PDFs of 17 sketchbooks belonging to H.C. Westermann and two Japanese albums of prints.
The collection is password protected and can be accessed using a CNet ID and password, making it available to all on-campus users. There is also a link provided to obtain a high-resolution image for publication or research. As the Spring Quarter begins, this is an invaluable resource for instructors, and students, who are interested in utilizing the museum collections in their own work.
Images clockwise from upper left:
Ukiyo-e Search provides an incredible resource: the ability to run a reverse image search for Japanese woodblock prints and the ability to see similar prints across multiple collections at once. Over 220,000 prints and metadata have been aggregated from a variety of museums, universities, libraries, auction houses and dealers from around the world. The image and text search engine allows multiple copies of the same print to automatically line up with each other and are made viewable in a gallery for easy comparison. The entire website is also available in both English and Japanese. Ukiyo-e.org was created by John Resig, a computer programmer and avid enthusiast of Japanese woodblock prints who recently become a Visiting Researcher at Ritsumeikan University in Kyoto. This powerful tool is used frequently by UChicago faculty and aided the cataloging of several albums in the Smart Museum’s collection.
Princeton University, in collaboration with the University of Michigan and the University of Alexandria, have announced the launch of a website documenting icons from the Monastery of Saint Catherine at Mount Sinai.
The icons were documented and photographed on expeditions led by Kurt Weitzmann from Princeton University and George Forsyth from the University of Michigan from 1956 to 1965. Princeton University now holds the color photographs taken of the icons and have digitized them, making them available for viewing. Currently, the website displays about 1,200 transparencies, with another 2,000 in the works.
The images are the copyrighted property of the Regents of the University of Michigan and the Trustees of Princeton University, but can be freely used for classroom projection, display on computer monitors, and use in class assignments. The images cannot be published without permission, but requesting permission can be easily done through the website.
Luna is currently making some changes to its database, including the Luna Commons Collections. As of today, we no longer have access to the following collections through the University of Chicago’s Luna login. If you would like to access these collections, you’ll need to visit the individual collections websites listed below. Access to these collections will eventually be restored to the University of Chicago’s Luna login.
Users still have access to 13 existing Commons Collections—including the popular David Rumsey Historical Map Collection—through our instance of Luna. The VRC will keep you updated on access to Luna commons collections and other improvements coming to the database, including their planned interface redesign.
If you have any questions about changes in Luna or access to your content, please do not hesitate to get in touch with us at email@example.com.
Comprising a website, a traveling exhibition, and book, Qantara is a very rich and interesting resource for studying the cultural heritage of the Mediterranean from Late Antiquity to the 18th century. The website contains over 1500 entries from Western Europe, Byzantium, and Islamic regions that include objects, sites, and monuments. The material can be searched using various intersections such as materials, subjects, or historical period. Each entry has descriptive metadata (size, media, discovery and repository information), a short descriptive essay, and a bibliography.
There are repositories and cultural heritage institutions from nine countries involved in Qantara, and the information has been reviewed by over 200 experts including curators, historians, and researchers.