The Robert Frank Collection at the National Gallery of Art is the largest repository of materials related to renowned photographer and filmmaker Robert Frank. Spanning Frank’s career from 1937 to 2005, the collection includes vintage and later prints, contact sheets, work prints, negatives, three bound books of original photographs, technical material, and various papers, books, and recordings.
For a complete account of photographs, contact sheets, and work prints in the collection, see Robert Frank photographs, contact sheets, and work prints in the collection. The spreadsheet lists subjects photographed by Frank, in chronological order, along with the corresponding number of photographs, contact sheets, and work prints in the collection and the accession number of each object.
Christie’s Auction House brought in the highest total for an auction in history last night, grossing $852.9 million at the contemporary sale in New York. New records were also set for 11 artists, among them Cy Twombly, Ed Ruscha, Peter Doig, Martin Klippenberger, and Seth Price. The stars of the night were Andy Warhol’s Triple Elvis [Ferus Type](1960) and Four Marlons (1966), which sold early going for $81.9 million and $69.6 million, respectively. “By the time the second figure was reached, the crowd—whether reeling from the action or no longer capable of being surprised or just no longer impressed by anything under $80 million—forgot to clap,” says Dan Duray from ArtNews. Although the prior nights’ Sotheby’s sale was a disappointment bringing in only $343.6 million, the two weeks of sales at both auction houses took in a total of some $2 billion, comforting many that the art market is alive and kicking.
The Vatican Apolostic Library has been working on a project to digitize more than 80,000 documents in its collection. Currently there are nearly 4,500 manuscripts online and there is hope that they’ll have 15,000 manuscripts available by 2018.
The collection features a variety of important and early manuscripts and books, including Pre-Columbian manuscripts, early Greek and Latin texts, Islamic manuscripts, and even some Japanese paintings.
You can browse some of the materials at DigitaVaticana here as well as on the website of the Biblioteca Apostolica Vaticana. Images can be downloaded from the digital library, but they come with a watermark and copyright statement.
Image: Sandro Botticelli, Illustrations of Dante’s Divine Comedy performed by Lorenzi il Magnifico in the 15th century. Folio 101 recto with a section of the Inferno. Reg.lat.1896A.
In collaboration with Art History Professor Rebecca Zorach and Chicago artist, Mark Rogovin, the VRC is happy to announce the “Public Art Workshop Mural Archive“, a new collection in our LUNA database.
The collection contains images of murals and public projects of the Public Art Workshop, along with documentation of the workshop’s activities and images of other murals created in Chicago from the late 1960s to the early 1980s.
To read more about Mark Rogovin, please visit Never the Same.
On May 16, the Metropolitan Museum announced a new initiative called the Open Access for Scholarly Content (OASC) and released more than 400,000 images of public domain works on their website. Users can download the high-resolution files directly from the website for any non-commercial use, including scholarly publications. Users do not need to pay a fee and will not need to seek permission from the museum. Per the Met’s press release, “the number of available images will increase as new digital files are added on a regular basis.”
The Met joins several other institutions in making high-resolution digital image files of collection objects free available on the web, including Rijksmuseum, LACMA, and the Getty. The Met was one of the first participants in ARTstor’s Images for Academic Publishing initiative, but in order to use those images, the user needed to be affiliated with an institution that had an ARTstor subscription or request a temporary password. The new OASC program makes the images available directly to the public from the museum’s collections website.
For more information, visit the Met’s FAQ about the OASC initiative or explore their collections website. Images included in the initiative will be indicated
Via the Metropolitan Museum Press Room.
The Visual Resources Collections at the University of Michigan just announced that the Simpson Islamic Manuscript Record Archive is available online. They write, “Dr. Simpson served as Curator of Islamic Near Eastern Art at the Freer/Sackler Galleries, Smithsonian Institution, Director of Curatorial Affairs and Curator of Islamic Art at the Walters Art Museum, and Visiting Professor at the University of Michigan (2005).”
The website for the Simpson Islamic Manuscript Record Archive contains more than 500 documentation records and approximately 4,800 images (in a variety of media including prints, color slides, digital images, and microfilm). The Simpson Archive “is organized by repository name and manuscript accession number or shelf mark (for example, “British Library Add. 7622”)” and each record contains robust cataloging information about the manuscript.
This collection is related to the Islamic Art Archives at the University of Michigan, which has more than 900 digitized manuscripts available in HathiTrust.
The Tate recently released 30 years of Audio Arts, the “innovative audio cassette-magazine … established by Bill Furlong in 1972.”
Users can browse by category, chronology, or contributor, including inimitable figures such as Joseph Beuys, Marina Abramovc, Bruce McLean, Gehrard Richter, and more.
Check out the Audio Arts archive online!
The Delaware Art Museum recently launched a collections website via eMuseum which currently features more than 1,000 works of art. By 2018, the museum’s entire collection will be online, “including the largest collection of British Pre-Raphaelite art outside of the United Kingdom …”
Users can interact with the Collections tab by browsing curated collections, searching for individual object records and related artist biographies. Creating an account will allow users to select favorite records and save image groups and research notes.
For more information, visit the link to the Delaware Art Museum’s eMuseum collection or their Collections page.
During Spring Break, the University of Chicago Library and IT Services are hosting a series of workshops geared towards graduate students. Spring Break could be a convenient time to take advantage of these resources when you’re not constrained by the programming of the academic quarter. Programs include choosing and using citation managers, new apps, introductions to data tools like Excel and Stata, overview of news databases, using special collections, setting search alerts and using RSS, and using the UChicago wiki.
For more information, check out the Essential Skills Graduate Workshop Series at the Regenstein Library. You’ll need to register for the workshops, so sign up now!
Yesterday, Getty Images released more than 35 million images that users can embed on websites and social media posts for free, so long as the images are for editorial and non-commercial purposes. With the embed feature, Getty Images includes a credit line and link to each image that users post. For a list of images available to embed, click here.
There’s been quite a lot of coverage about this monumental release of “free” images, including great articles from the Atlantic on “Why Getty Going Free Is Such a Big Deal, Explained in Getty Images,” and the Verge on “The world’s largest photo service just made its pictures free to use.” It’s important to note that not all Getty Images are free to use, and it’s very likely that contemporary photojournalism images, for example, will remain behind the paywall.
Also fun to think about on a Friday: How many photos have ever been taken?