During the Jazz Age, The Chicagoan magazine was published as a rip-off of the New Yorker, but for the Second City set. Although its writing was less-than-stellar, the magazine covers and interior illustrations were more than. Neil Harris, Preston & Sterling Morton Professor Emeritus of History and of Art History began researching the magazine in the late 1980s when he stumbled across it in the Regenstein library, and now a near-complete run is digitally available through the University of Chicago Library in The Chicagoan digital archive. The magazine’s run can be browsed on the web by date or by volume, and is also full-text searchable. In 2008, Harris published a book about the magazine, which folded in 1935, called The Chicagoan: A Lost Magazine of the Jazz Age.
For more information, check out The Chicagoan digital archive and Harris’ book The Chicagoan: A Lost Magazine of the Jazz Age.
Via Chicago Reader
Image: The Chicagoan, June 14, 1926 (vol. 1, no. 1), cover. Copyright The Quigley Publishing Company, a Division of QP Media, Inc.
The Image Collections and Fieldwork Archives at Dumbarton Oaks Research Library and Collection in Washington, D.C. recently digitized fourteen 16mm films from its collection. The 14 films include footage of the Dumbarton Oaks grounds from the mid-1920s to the 1940s, as well as films made by the Byzantine Institute during the 1930s and 1940s that document conservation efforts on site at the Red Sea Monastery of Saint Anthony (Egypt), Hagia Sophia (Istanbul), and Kariye Camii (Istanbul). Several of the films are in color, giving viewers a chance to see “the process of cleaning, restoration, and preservation in great detail, as well as the quality and visual impression of the mosaics in their most shining state.”
The digitized films have been made available through the video streaming service Vimeo, and can be embedded into websites.
For more information, explore the Moving Image Collection at Dumbarton Oaks and the collection accompanying archival materials in The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers.
Via ICFA Blog
In 2009, the Tate published The Tate Guide to Modern Art Terms and followed it with an iPad and iPhone app released in March 2012. The app defines more than 300 terms pertaining to modern art themes, movements, media, and art practices, and many definitions are illustrated with artwork examples.
The app interface allows users to search for terms or browse by image gallery or category. Users can also create a list of “favorite” art terms.
To learn more about the Tate Guide to Modern Art Terms, check out the iTunes App Store, the Tate, or visit the VRC to try it on our iPad. You can also browse the physical copy in the Regenstein reference section.
The Art of the Sublime is a research module that explores the concept of the sublime during several artistic movements, including the Baroque, the Romantic, the Victorian, and the modern. The project contains essays and case studies, illustrated by works of art from the Tate’s collection as well as literary examples. More about the project:
In 2008 Tate initiated a project to explore the history and current relevance of the sublime, particularly as reflected in Tate’s collection of historic and modern works of art. Supported by the Arts and Humanities Research Council, the project embraced a range of activities and outputs, including an exhibition and display at Tate Britain, conferences and specially made films.
To explore the project, visit the Art of the Sublime.
The Pitt Rivers Museum at the University of Oxford has recently released Reel to Real, a digital collection pertaining to sound and video from ethnomusicology research. “The content of the recordings ranges from spirits singing in the rainforests of the Central African Republic to children’s songs and games in playgrounds throughout Europe.”
The website features playlists of curated material along with archival photographs taken at the same time the recordings were made.
To learn more, explore the Reel to Real collection.
The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:
Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!
Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.
For more information, visit the Lee Miller Archives.
The James McNeill Whistler collection (1863–1906, ca. 1940) at the Smithsonian Institution’s Archives of American Art is now available online, having been digitized in its entirety in 2012.
The 307 images online include various documents pertaining to the career of Whistler, who was born in the US but worked in London. There are:
39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler’s painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.
Several of the items in the collection are signed with Whistler’s butterfly mark. To view digital images from the archive, or to find out more, visit the James McNeill Whistler Collection.
Image source: James McNeill Whistler collection, 1863-1906, circa 1940. Archives of American Art, Smithsonian Institution.
Oxford Art Online dramatically expanded their coverage of photography in April 2014:
This season Grove Art Online is pleased to present a group of more than 60 new and significantly updated articles on the topic of photography, developed in part in response to frequent reader requests for more expansive coverage of the history and practice of photography in Grove. The centerpiece of the project is a group of 16 new and significantly updated articles on key movements and concepts, including important pieces on documentary photography, digital photography, and the worker photography movement. The update also includes a set of 44 new biographies, South African photographer Ernest Cole, female portraitist Zaida Ben-Yosuf, 19th-century critic Francis Wey, and 20th-century curator John Szarkowski. Filling out this season’s update are another 90 photography-related articles with fully updated bibliographies to incorporate the latest research. Many thanks are due to the dedicated and accomplished scholars who contributed to this update, as well as to the institutions and individuals who generously provided over 120 stunning new illustrations to promote understanding of the texts. This new material complements Grove’s existing coverage of photography around the globe, and sets the stage for continued growth in coming years.
For access to Oxford Art Online (University of Chicago affiliates only), click here. To go directly to the newly updated Photography content, click here.
Google’s ever popular Google Art Project has recently expanded its offerings by adding Google Art Talks on Google Hangout. The talks will feature museum directors, curators, historians, and educators to discuss works represented in the Google Art Project or other topics relevant to the art world today:
An excellent guide often best brings an art gallery or museum’s collections to life. Starting this week, we’re hoping to bring this experience online with “Art Talks,” a series of Hangouts on Air on our Google Art Project Google+ page. Each month, curators, museum directors, historians and educators from some of the world’s most renowned cultural institutions will reveal the hidden stories behind particular works, examine the curation process and provide insights into particular masterpieces or artists.
So far, there have been two Art Talks hosted, including one from MoMA (March 3) and one from the National Gallery in London (March 28). The videos of the Google Hangouts have been added to YouTube.
The next talk, on April 15 at noon, will be about Bruegel’s Tower of Babel, which can be viewed as a gigapixel image on Google Art Project.
Google mentions that they have talks planned with the Metropolitan Museum in New York, the Museum of Contemporary Art in Los Angeles, the Museo Nacional de Arte in Mexico and the Museum of Islamic Art in Qatar.
Via Official Google Blog
The Public Domain Review (a project of the Open Knowledge Foundation) is a great resource that highlights a variety of digitized public domain resources and curated collections, including images, film, text, and audio. In addition, there are scholarly articles from various humanities disciplines that engage with the digital materials included on the site.
The Public Domain Review is a not-for-profit project dedicated to showcasing the most interesting and unusual out-of-copyright works available online.
All works eventually fall out of copyright – from classic works of art, music and literature, to abandoned drafts, tentative plans, and overlooked fragments. In doing so they enter the public domain, a vast commons of material that everyone is free to enjoy, share and build upon without restriction.
We believe the public domain is an invaluable and indispensable good, which – like our natural environment and our physical heritage – deserves to be explicitly recognised, protected and appreciated.
The Public Domain Review aims to help its readers to explore this rich terrain – like a small exhibition gallery at the entrance of an immense network of archives and storage rooms that lie beyond.
The PDR also has a thorough guide to finding interesting public domain works online. Collaborators include the Internet Archive, Europa, the Library of Congress, the Field Museum, the Boston Public Library, the California Digital Library, the Smithsonian Institution, the Getty, and more.
For more information, visit the Public Domain Review.