Category: News

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Innovative Technology News VRC

Clipping Magic

Clipping Magic is a new web tool to easily remove the background from images. You upload your image, mark the image with the website’s red and green tools (red for background, and green for foreground), and voila! The areas marked red will be removed from the image and you can then download the edited image file. This is a great alternative to using Photoshop to remove a background, especially for removing image backgrounds on the fly.

Clipping Magic is currently free while the service is in alpha.

Categories
Moving Images Museums News

ICFA’s 16mm Film Collection Online

The Image Collections and Fieldwork Archives at Dumbarton Oaks Research Library and Collection in Washington, D.C. recently digitized fourteen 16mm films from its collection. The 14 films include footage of the Dumbarton Oaks grounds from the mid-1920s to the 1940s, as well as films made by the Byzantine Institute during the 1930s and 1940s that document conservation efforts on site at the Red Sea Monastery of Saint Anthony (Egypt), Hagia Sophia (Istanbul), and Kariye Camii (Istanbul). Several of the films are in color, giving viewers a chance to see “the process of cleaning, restoration, and preservation in great detail, as well as the quality and visual impression of the mosaics in their most shining state.”

The digitized films have been made available through the video streaming service Vimeo, and can be embedded into websites.

For more information, explore the Moving Image Collection at Dumbarton Oaks and the collection accompanying archival materials in The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers.

Via ICFA Blog

Categories
Images on the Web Museums News

Balboa Park Online Commons

 The Balboa Park Online Commons features more than 20,000 images of unique materials from 7 San Diego museums: the Mingei International Museum, the Museum of Photographic Arts, the San Diego Air and Space Museum, the San Diego Museum of Art, the San Diego Museum of Man, the San Diego Natural History Museum, and the Timken Museum of Art.

This unified digital collection allows users to keyword search to retrieve results across institutions or to browse by museum, “featured sets” (thematic groupings of objects), or by user sets. Users can create their own set or collection of objects by creating an account on the website, and there is also a feature to download a PDF of the object record.

For more information, check out the Balboa Park Online Commons.

Via PetaPixel

 

Categories
Modern - Contemporary News

Map of Overpass Art in Chicago

Just in time for this great weather, Curbed Chicago and the Chicago Public Art Group have created a Google Map identifying great examples of public art underneath Chicago’s overpasses. The map includes several murals that are in Hyde Park, so happy exploring!

For more information about public art resources, see our post about the Public Art Archive.

Via Curbed

Categories
Exhibitions Modern - Contemporary Museums News

A Van Gogh Research Round-Up

With the conclusion of an eight-year long research project, Vincent van Gogh has been in the news quite a bit recently. In 2005, the van Gogh museum teamed up with Shell and the Netherland’s Cultural Heritage Agency to research the materials, tools, techniques, and working processes of the artist. The website for the research project, Van Gogh’s Studio Practice, describes contains blog posts about how the researchers approached their work and describes the aims of their research. The results of the project were not earth-shattering, but the small surprises they discovered do deepen our understanding of van Gogh’s works and his psyche. The most talked about new discovery is the fact that The Bedroom was originally painted with violet walls, but since the red pigment of the paint faded, we know the work as having blue walls.

The new exhibition at the van Gogh Museum benefits from results of this lengthy research project, and is called Van Gogh at Work (May 1, 2013–January 12, 2014). The show will contain 200 works by van Gogh as well as some contemporary artists, as well as archival materials such as letters, sketchbooks, and the artist’s palette and paint tubes. The show will also include a digital re-creation of The Bedroom to show how it would have looked with the original violet walls.

The Van Gogh Museum also has a web portal for van Gogh’s letters (written and received) that contains facsimiles, transcriptions, and detailed object information of some 900 letters and 25 miscellaneous loose sheets or drafts. You can browse the collection by period, correspondent, place, or limit your results to letters that contain sketches. Simple and advanced search features are also available. The website also contains a wealth of contextual essays, biographical information, and research tools including the publication history of van Gogh’s letters, a chronology, and detailed bibliographies of the individual letters. A few years ago, the Van Gogh Museum in Amsterdam released an app called Yours, Vincent: The Letters of Vincent Van Gogh, which contains digitized versions of van Gogh’s letters, sketches, and paintings as well as audio and video contextual clips.

Via ArtNews and the New York Times. For more information about van Gogh’s archival presence, visit Vincent van Gogh, The Letters or the Yours, Vincent app. You can always stop by the VRC to check it out, too!

Image: Vincent van Gogh. Self-portrait with a Straw Hat (verso: The Potato Peeler), probably 1887. The Metropolitan Museum of Art, 67.187.70a. Image © The Metropolitan Museum of Art.

Categories
ARTstor News VRC

ARTstor Introduces Saved Searches

ARTstor recently added a feature to save searches within the  ARTstor Digital Library. The theory behind this feature is that with ARTstor’s growing collections of content, it’s highly likely that additional results for your search parameters will become available in the future. By saving your search, you can quickly get an updated pool of results when you run it again.

In order to use this feature, you must be logged into your ARTstor account.  For more information on creating an ARTstor account, click here. ARTstor describes how to save your searches:

After you perform a search, you will see an option to Save this search in the upper right of the thumbnail page of search results. Click on it, then click Save and enter a name for your saved search. You can save up to 30 searches.

To run a saved search record, click My saved searches near the search box on the front page of the Digital Library or on a search results page.

Done with a particular saved search? To delete it, click on My saved searches, then click on the X next to the search you want to delete. You’ll see a prompt asking if you want to delete it; click Yes and you’re finished.

Via ARTstor Blog

Categories
News VRC

The Art Law Blog

Attorney Donn Zaretsky of John Silberman Associates maintains The Art Law Blog, which discusses current and topical issues pertaining to art law, including intellectual property rights, copyright and permissions, social media, censorship, artists’ estates and foundations, auctions, and more. For example, the blog has recently been covering the Prince-Cariou case—it’s a great round-up of national art law cases and news for sure.

For more information, visit The Art Law Blog.

Categories
Images on the Web Innovative Technology News

Reel to Real: Ethnomusicology and Sound at the Pitt Rivers Museum, Oxford

The Pitt Rivers Museum at the University of Oxford has recently released Reel to Real, a digital collection pertaining to sound and video from ethnomusicology research. “The content of the recordings ranges from spirits singing in the rainforests of the Central African Republic to children’s songs and games in playgrounds throughout Europe.”

The website features playlists of curated material along with archival photographs taken at the same time the recordings were made.

To learn more, explore the Reel to Real collection.

Categories
News Precolumbian VRC

Maya Blue Paint

Maya painters used a blue paint that proved to be very durable—its hue remains vivid today—on murals, ceramics, and in their codices and manuscripts. While the ingredients of the blue paint have been known for years, scientists in Spain recently discovered that the method of preparation “cooked” the mixture of pigments and clay to stabilize the paint.

Scientists have long known the two chief ingredients of the intense blue pigment: indigo, a plant dye that’s used today to color denim; and palygorskite, a type of clay. But how the Maya cooked up the unfading paint remained a mystery. Now Spanish researchers report that they found traces of another pigment in Maya Blue, which they say gives clues about how the color was made.

“We detected a second pigment in the samples, dehydroindigo, which must have formed through oxidation of the indigo when it underwent exposure to the heat that is required to prepare Maya Blue,” Antonio Doménech, a researcher from the University of Valencia, said in a statement.

The VRC is often adding new groups Mayan and Mesoamerican images to our LUNA database, so be sure to check it out our resources for murals, pottery, and more!

Via A Blog About History and LiveScience.

Image credit: Bonampak Murals. Copy. 692. Harvard University. Peabody Museum. ©Kathleen Cohen. Copy by Antonio Teleda in 1948.

Categories
News VRC

Open Access PDF Edition of Digital Humanities (2012)

In November 2012 the MIT press published Digital_Humanities, and recently, an open access PDF of the publication was made freely available online as a PDF, which you can read on your computer or e-reader. If your research is taking you in the direction of digital humanities techniques or if you’re considering future projects, this book is a great resource on the state of the field:

Digital_Humanities is a compact, game-changing report on the state of contemporary knowledge production. Answering the question, “What is digital humanities?,” it provides an in-depth examination of an emerging field. This collaboratively authored and visually compelling volume explores methodologies and techniques unfamiliar to traditional modes of humanistic inquiry–including geospatial analysis, data mining, corpus linguistics, visualization, and simulation–to show their relevance for contemporary culture.

Included are chapters on the basics, on emerging methods and genres, and on the social life of the digital humanities, along with “case studies,” “provocations,” and “advisories.” These persuasively crafted interventions offer a descriptive toolkit for anyone involved in the design, production, oversight, and review of digital projects. The authors argue that the digital humanities offers a revitalization of the liberal arts tradition in the electronically inflected, design-driven, multimedia language of the twenty-first century.

Written by five leading practitioner-theorists whose varied backgrounds embody the intellectual and creative diversity of the field, Digital_Humanities is a vision statement for the future, an invitation to engage, and a critical tool for understanding the shape of new scholarship.

For more information, visit the MIT Press or click here to download the PDF—for free! You can also stop by the VRC—we have a copy of the PDF on our iPad.