The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:
Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!
Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.
For more information, visit the Lee Miller Archives.
Millions of photographs from the LIFE photo archive are available via Google Images, only a small number of which have been published. Eventually the project will include about 10 million images. You can search specifically in the LIFE search portal, or you can add “source:life” to any Google image search to return only images from the LIFE photo archive.
The archive includes documentary photography by many well-known photographers working in the magazine industry during the hey day of photojournalism, including Margaret Bourke-White, Alfred Eisenstaedt,
The very first cover of LIFE magazine was a photograph taken by Margaret Bourke-White of Fort Peck in Montana. The issue was published on November 23, 1936. Images from the LIFE photo archive are for personal, non-commercial use only.
For more information, visit the LIFE photo archive digital collection hosted by Google Images.
The photography blog PetaPixel recently posted about photography books in the public domain that have been included in Project Gutenberg digital library. Of the 37 books to be fully digitized, perhaps the most exciting is the inclusion of William Henry Fox Talbot’s The Pencil of Nature, published in 1844. The book details his calotype process and includes 24 images of finished calotype prints with text describing the image’s creation and significance.
For more information, visit Project Gutenberg.
Oxford Art Online dramatically expanded their coverage of photography in April 2014:
This season Grove Art Online is pleased to present a group of more than 60 new and significantly updated articles on the topic of photography, developed in part in response to frequent reader requests for more expansive coverage of the history and practice of photography in Grove. The centerpiece of the project is a group of 16 new and significantly updated articles on key movements and concepts, including important pieces on documentary photography, digital photography, and the worker photography movement. The update also includes a set of 44 new biographies, South African photographer Ernest Cole, female portraitist Zaida Ben-Yosuf, 19th-century critic Francis Wey, and 20th-century curator John Szarkowski. Filling out this season’s update are another 90 photography-related articles with fully updated bibliographies to incorporate the latest research. Many thanks are due to the dedicated and accomplished scholars who contributed to this update, as well as to the institutions and individuals who generously provided over 120 stunning new illustrations to promote understanding of the texts. This new material complements Grove’s existing coverage of photography around the globe, and sets the stage for continued growth in coming years.
For access to Oxford Art Online (University of Chicago affiliates only), click here. To go directly to the newly updated Photography content, click here.
BuzzFeed recently reinterpreted several of Eadweard Muybridge’s time lapse motion study photographs as animated GIFs. Muybridge photographed examples of animal locomotion in the late 1870s and 1880s using multiple cameras to capture an “instantaneous” sequence. For example, the image below of an ostrich running was created using 24 camera that each took a photograph.
The GIFs BuzzFeed posted take those individual images and animate them:
Click here to see the rest!
Image Source: commons.wikimedia.org
Via Deep Focus
Vivian Maier (1926–2009) moved to Chicago in 1956 and though she worked as a nanny to support herself, she spent her spare time taking photographs and making films. Her work was largely unknown during her lifetime, as the more than 10,000 negatives she made were kept hid:
Maier’s massive body of work would come to light when in 2007 her work was discovered at a local thrift auction house on Chicago’s Northwest Side. From there, it would eventually impact the world over and change the life of the man who championed her work and brought it to the public eye, John Maloof.
While Maloof and his team were cataloging her work, they maintained an image-heavy website dedicated to her life and work, and the Chicago Cultural Center mounted an exhibition “Finding Vivian Maier: Chicago Street Photographer” (7 January–3 April 2011), which garnered a lot of public interest in Chicago’s “nanny photographer”.
Authors Richard Cahan and Michael Williams released a new book of Vivian Maier’s photographs last month called Vivian Maier: Out of the Shadows. In addition to providing context for the artist’s life, the book publishes 275 of her photographs. To celebrate, After-Words New and Used Books in downtown Chicago is hosting a book signing party on Thursday, November 29 at 6:30.
The Metropolitan Museum of Art recently released a new iPad app, “Faking It: Manipulated Photography Before Photoshop” to accompany a current photography exhibition.
Digital cameras and image-editing software have made photo manipulation easier than ever, but photographers have been doctoring images since the medium was invented. The false “realities” in altered photographs can be either surprising and eye-catching or truly deceptive and misleading.
Faking It is a quiz that asks players to spot which photos are fake and figure out why they were altered. Through fifteen sets of questions accompanied by more than two dozen remarkable images, the Faking It app challenges misconceptions about the history of photo manipulation.
Images in the app range from a heroic portrait of Ulysses S. Grant to a playful portrait of Salvador Dalí, and from New York’s glamorous Empire State Building to Oregon’s sublime Cape Horn.
The app complements the exhibition Faking It: Manipulated Photography Before Photoshop (on view October 11, 2012–January 27, 2013).
The prototype machine – dubbed AWARE2 – has the potential to take pictures with resolutions of up to 50 gigapixels, equivalent to 50,000 megapixels, according to the team from Duke University in North Carolina.
It works by synchronising 98 tiny cameras in a single device.
The machine is likely to be used first for military surveillance.
In its current state the researchers say it can take one-gigapixel images at up to three frames per minute.
Via BBC News. For technical information about the project from Duke, click here.
An important photography archive at the New York Public Library has recently been re-discovered, partially digitized, and cataloged. The archive includes over 41,000 prints from Farm Security Administration photographers, which were collected and sent to the NYPL by FSA founder Roy Stryker. It includes some prints previously unknown, and many that are not included in the Library of Congress Farm Security Administration/Office of War Information Photograph Collection.
The New York Public Library has not only digitized more than 1,000 images that do not appear in the Library of Congress online catalog, it has also made them available today on a special NYPL site. It also has another site containing the records — but no images — for all 41,000 FSA photos in their collection.
Via the Lens blog at the New York Times.
The Netherlands Institute in Turkey has recently released the first installment of digital images from the vast photographic archives of Dutch historian Machiel Kiel.
A former director of the Netherlands Institute in Turkey (NIT), at which this project is now implemented, Kiel is a scholar whose career has revolved around the study of Ottoman-Islamic architectural monuments in the Balkan countries — an area of study that he pioneered. His archive represents an invaluable source for researchers of this heritage. Created for the most part between the 1960s and 90s, it contains visual documentation of many monuments that have not survived, or have been significantly altered in, the second half of the twentieth century. The publication of Kiel’s archive by the NIT is hoped to significantly advance international research on this heritage.
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