Categories
Modern - Contemporary

The Art of the Poster 1880-1918

Lawrence University Digital Collections would like to announce a new collection of digital images available through CONTENTdm: The Art of the Poster 1880-1918.

In the late nineteenth century, lithographers began to use mass-produced zinc plates rather than stones in their printing process. This innovation allowed them to prepare multiple plates, each with a different color ink, and to print these with close registration on the same sheet of paper. Posters in a range of colors and variety of sizes could now be produced quickly, at modest cost. Skilled illustrators and graphic designers – such as Alphonse Mucha, Jules Cheret, and Henri de Toulouse-Lautrec — quickly began to exploit this new technology; the “Golden Age of the Poster” (1880s through the First World War) was the spectacular result. This collection of 162 posters are all in the public domain under United States Copyright Law, and are downloadable.

The Lawrence University Digital Image Collections are hosting the scanned images for the Art of the Poster collection in collaboration with the Visual Resources Library at the Minneapolis College of Art and Design where the images were scanned and cataloged.

You can view the collection at: 

http://www.lawrence.edu/library/contentdm/posters/index.htm

By mmacken

twitter: meganmacken

Director, Visual Resources Center and Digital Media Archive, Division of the Humanities, The University of Chicago.

My academic background ranges from classics and comparative literature to modern art and architectural history, and so, naturally, I am a librarian. I have graduate degrees in art history and library science, manage digital image and audio collections for the Division of the Humanities, and am always eager to collaborate across disciplines, universities, and even continents! I'm interested in exploring the library's role in Digital Humanities, not just as an archive for born-digital objects but as a locus for Digital Humanities centers. At THATCamp I'm excited to find out how others are visualizing data, especially to facilitate creative research and teaching in art and architectural history and film studies. How can visual data (still images, film, 3D models, etc) move beyond illustration and become a source for research? What kind of creative information retrieval interfaces do we need to do this? We've got metadata...let's make it work!