Guide to Critics

The following guide is available for download here.

Guide to Critics & Collections (in order of treatment in the Seminar):

 The Division of the Kingdoms:  Shakespeare’s Two Versions of King Lear, ed. Gary Taylor and Michael Warren (Oxford:  Clarendon Pres, 1983).

Robert Clare, “’Who is it that can tell me who I am?’:  The Theory of Authorial Revision between the Quarto and the Folio Texts of King Lear,” The Library, 6th series, 17 (1995), 34-59.

William Elton, King Lear and the Gods (San Marino:  Huntington Library, 1966).

Stephen Greenblatt, “King Lear and the Exorcists,” in Shakespearean Negotiations (Berkeley: U of California Press, 1989), 94-128.

Rosalie Colie, KL & the Crisis of the Aristocracy,” in Facets of KL (1974).

Richard Strier, Resistant Structures (Berkeley:  U of California Press, 1995), ch. 7 (“Impossible Radicalism:  Shakespeare and Disobedience”).

Walter Cohen, Drama of a Nation (Ithaca:  Cornell U Press, 1985), ch. 6.

Michael Ignatieff, The Needs of Strangers (New York:  Viking, 1985), ch. 1.

Judy Kronenfeld, King Lear and The Naked Truth (Durham:  Duke U Press, 1998), ch. 6-7.

Robert Heilman, This Great Stage (Baton Rouge:  Louisiana State U, 1948), ch. 2.

Paul Alpers, “King Lear and the Theory of ‘The Sight Pattern,’” in Reuben Brower, ed.,  In Defense of Reading (New York:  Dutton, 1962), 133-152.

Stanley Cavell, “The Avoidance of Love,” in Disowning Knowledge (New York:  Cambridge U Press, 1987), 39-124.

Janet Adelman, Suffocating Mothers (New York:  Routledge, 1992), ch. 5.

Harold Bloom, Shakespeare (New York:  Riverhead, 1998), ch. 25.

Gail Paster, “Minded Like the Weather” (ms).

Andreas Höfele, Stage, Stake and Scaffold:  Humans and Animals in Shakespeare’s Theatre (2011), ch. 5.