“That’s my claim to fame,” he said. “I took Frida Kahlo to the movies.”
It was 1937. Leon Despres, Chicago alderman and activist, was visiting Mexico, sitting on a couch chatting in French with Diego Rivera while the artist painted a portrait of Despres’s wife, Marian. “I sat there in the morning while he painted her. Then we had lunch. He needed two hours more to finish the portrait, and I didn’t want to sit there any longer.” Diego Rivera’s wife, Frida Kahlo, happened to be hanging around the residence that day with nothing much to do, so Despres took her to the theater to see the film La Kermesse Héroïque, a French romantic comedy.