The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:
Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!
Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.
For more information, visit the Lee Miller Archives.
Millions of photographs from the LIFE photo archive are available via Google Images, only a small number of which have been published. Eventually the project will include about 10 million images. You can search specifically in the LIFE search portal, or you can add “source:life” to any Google image search to return only images from the LIFE photo archive.
The archive includes documentary photography by many well-known photographers working in the magazine industry during the hey day of photojournalism, including Margaret Bourke-White, Alfred Eisenstaedt,
The very first cover of LIFE magazine was a photograph taken by Margaret Bourke-White of Fort Peck in Montana. The issue was published on November 23, 1936. Images from the LIFE photo archive are for personal, non-commercial use only.
For more information, visit the LIFE photo archive digital collection hosted by Google Images.
Founded in 1949, the George Eastman House, International Museum of Photography and Film in Rochester, NY is the world’s oldest museum of photography and recently announced that it will be the first photography museum to join the Google Art Project:
So far, 50 high-resolution images from their collection—encompassing the birth of photography to the late 20th century—have been added to the Google Art Project website with zooming capabilities and robust cataloging information, and much of the object data was previously unavailable online. More photographs will eventually be added, and the GEH is also partnering with Google Maps Street View to provide 360º views of their galleries and grounds.
For more information, visit the George Eastman House in Google Art Project or read the GEH Press Release.
The Metropolitan Museum of Art recently released a new iPad app, “Faking It: Manipulated Photography Before Photoshop” to accompany a current photography exhibition.
Digital cameras and image-editing software have made photo manipulation easier than ever, but photographers have been doctoring images since the medium was invented. The false “realities” in altered photographs can be either surprising and eye-catching or truly deceptive and misleading.
Faking It is a quiz that asks players to spot which photos are fake and figure out why they were altered. Through fifteen sets of questions accompanied by more than two dozen remarkable images, the Faking It app challenges misconceptions about the history of photo manipulation.
Images in the app range from a heroic portrait of Ulysses S. Grant to a playful portrait of Salvador Dalí, and from New York’s glamorous Empire State Building to Oregon’s sublime Cape Horn.
The app complements the exhibition Faking It: Manipulated Photography Before Photoshop (on view October 11, 2012–January 27, 2013).
An important photography archive at the New York Public Library has recently been re-discovered, partially digitized, and cataloged. The archive includes over 41,000 prints from Farm Security Administration photographers, which were collected and sent to the NYPL by FSA founder Roy Stryker. It includes some prints previously unknown, and many that are not included in the Library of Congress Farm Security Administration/Office of War Information Photograph Collection.
The New York Public Library has not only digitized more than 1,000 images that do not appear in the Library of Congress online catalog, it has also made them available today on a special NYPL site. It also has another site containing the records — but no images — for all 41,000 FSA photos in their collection.
Via the Lens blog at the New York Times.
The Netherlands Institute in Turkey has recently released the first installment of digital images from the vast photographic archives of Dutch historian Machiel Kiel.
A former director of the Netherlands Institute in Turkey (NIT), at which this project is now implemented, Kiel is a scholar whose career has revolved around the study of Ottoman-Islamic architectural monuments in the Balkan countries — an area of study that he pioneered. His archive represents an invaluable source for researchers of this heritage. Created for the most part between the 1960s and 90s, it contains visual documentation of many monuments that have not survived, or have been significantly altered in, the second half of the twentieth century. The publication of Kiel’s archive by the NIT is hoped to significantly advance international research on this heritage.
Images are available for publication free of charge (with attribution). For more information, see the FAQ section of this page.
The Developing Room is a working group devoted to the study and practice of photography. Founded in 2008, the Developing Room is based at Rutgers, the State University of New Jersey. Our mission is to promote innovative work in the field of photography studies by organizing public projects and fostering international collaboration.
Click here for more information about this group.
Photojojo is now selling magnetic fisheye, macro/wide angle, and telephoto lenses for cell phones. These lenses attach via a small adhesive magnetic ring and work with both the iPhone 3 and iPhone 4 (even leaving room for the flash). The lenses should also work with other camera-equipped cell phones, including the Android. All three lenses sell together for $49.00.
For his project Vanishing Cultures, photographer Dennis Manarchy is traveling around the country documenting various cultures with a one-of-a-kind, 35-foot-long camera called “Eye of America”. Styled like an old fashioned large format camera, it’s so large that a person can work comfortably inside it. The negatives measure 6×4.5 feet, and are so large that windows must be used as lightboxes to examine them. The detail in a portrait subjects’ eyeball alone is a thousand times greater than what you get with the average negative. Resulting portraits will be featured on prints 2 stories tall.
Via PetaPixel. See their article for a video introducing the camera and a video introducing the project.
The Nicholar Artamonoff Collection at Dumbarton Oaks, an archive of historical photographs of Byzantine Turkey, is available online.
The Nicholas V. Artamonoff Collection includes 543 photographs taken in Istanbul and five archaeological sites in Western Turkey (Ephesus, Hierapolis, Laodicea on the Lycus, Pergamum, Priene) from 1935 to 1945. The high quality photographs are of great value as they show buildings, sites, and objects that no longer exist or are in a better state of preservation than today.
Photographs may be browsed by tag (keyword), site name, and geography. Each photograph also includes a correlating Google Map, allowing visitors to see historical