Department of Art History, The University of Chicago
Exhibitions of the Royal Photographic Society is a research database of more than 45,000 records culled from the exhibition catalogs of published by the Photographic Society in London from 1870 to 1915. The database contains detailed records of all exhibits, reproductions of the catalog pages, and information about “exhibitors, judges, hanging and selecting committee members, photographs, and companies.”
For more information or to explore the database, click here.
The Museum at FIT has a comprehensive list of Costume and Textile Collections Online, with annotations about what you’ll expect to find in the database and other information about each particular collection. Their list includes collections from all over the world and highlights some of the best images of textiles and garments online.
In addition to these websites, there are several other collections and databases that could be useful for researching fashion, textile, and costume:
In LUNA:
In ARTstor:
At the University of Chicago Library
Image credit: Elsa Schiaparelli. Doll, Fashion (Evening Ensemble), 1949. Brooklyn Museum Costume Collection at the Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Syndicat de la Couture de Paris; Photographed by Lolly Koon. Image © The Metropolitan Museum of Art.
The Balboa Park Online Commons features more than 20,000 images of unique materials from 7 San Diego museums: the Mingei International Museum, the Museum of Photographic Arts, the San Diego Air and Space Museum, the San Diego Museum of Art, the San Diego Museum of Man, the San Diego Natural History Museum, and the Timken Museum of Art.
This unified digital collection allows users to keyword search to retrieve results across institutions or to browse by museum, “featured sets” (thematic groupings of objects), or by user sets. Users can create their own set or collection of objects by creating an account on the website, and there is also a feature to download a PDF of the object record.
For more information, check out the Balboa Park Online Commons.
Via PetaPixel
With the conclusion of an eight-year long research project, Vincent van Gogh has been in the news quite a bit recently. In 2005, the van Gogh museum teamed up with Shell and the Netherland’s Cultural Heritage Agency to research the materials, tools, techniques, and working processes of the artist. The website for the research project, Van Gogh’s Studio Practice, describes contains blog posts about how the researchers approached their work and describes the aims of their research. The results of the project were not earth-shattering, but the small surprises they discovered do deepen our understanding of van Gogh’s works and his psyche. The most talked about new discovery is the fact that The Bedroom was originally painted with violet walls, but since the red pigment of the paint faded, we know the work as having blue walls.
The new exhibition at the van Gogh Museum benefits from results of this lengthy research project, and is called Van Gogh at Work (May 1, 2013–January 12, 2014). The show will contain 200 works by van Gogh as well as some contemporary artists, as well as archival materials such as letters, sketchbooks, and the artist’s palette and paint tubes. The show will also include a digital re-creation of The Bedroom to show how it would have looked with the original violet walls.
The Van Gogh Museum also has a web portal for van Gogh’s letters (written and received) that contains facsimiles, transcriptions, and detailed object information of some 900 letters and 25 miscellaneous loose sheets or drafts. You can browse the collection by period, correspondent, place, or limit your results to letters that contain sketches. Simple and advanced search features are also available. The website also contains a wealth of contextual essays, biographical information, and research tools including the publication history of van Gogh’s letters, a chronology, and detailed bibliographies of the individual letters. A few years ago, the Van Gogh Museum in Amsterdam released an app called Yours, Vincent: The Letters of Vincent Van Gogh, which contains digitized versions of van Gogh’s letters, sketches, and paintings as well as audio and video contextual clips.
Via ArtNews and the New York Times. For more information about van Gogh’s archival presence, visit Vincent van Gogh, The Letters or the Yours, Vincent app. You can always stop by the VRC to check it out, too!
Image: Vincent van Gogh. Self-portrait with a Straw Hat (verso: The Potato Peeler), probably 1887. The Metropolitan Museum of Art, 67.187.70a. Image © The Metropolitan Museum of Art.
The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:
Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!
Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.
For more information, visit the Lee Miller Archives.
Princeton University’s Index of Christian Art recently added a new collection to its Additional Resources section, an image collection called “The Lois Drewer Calendar of Saints in Byzantine Manuscripts and Frescos.”
This collection joins 12 others that include a variety of topics and media, including manuscripts, decorative arts, and paintings.
For more information, visit the Index of Christian Art and their Additional Resources.
Founded in 1949, the George Eastman House, International Museum of Photography and Film in Rochester, NY is the world’s oldest museum of photography and recently announced that it will be the first photography museum to join the Google Art Project:
So far, 50 high-resolution images from their collection—encompassing the birth of photography to the late 20th century—have been added to the Google Art Project website with zooming capabilities and robust cataloging information, and much of the object data was previously unavailable online. More photographs will eventually be added, and the GEH is also partnering with Google Maps Street View to provide 360º views of their galleries and grounds.
For more information, visit the George Eastman House in Google Art Project or read the GEH Press Release.
Via PetaPixel
The Public Art Archive, launched in 2009, is a collective online resource of public art examples from around the world. The site features fully cataloged works, sophisticated searching, browse-by lists, and a mapping function using Google Maps.
The Public Art Archive™ houses thousands of public artwork records in a single, centrally located database, making these works easily accessible to all audiences, including researchers, authors, academics, policy-makers, tourists, artists, administrators, and the general public. The Archive is the only resource of its kind that offers the field standardized and highly rigorous metadata structures, controlled taxonomies, advanced mapping features, and sophisticated search and filter tools.
For more information, visit the Public Art Archive or click here to find out about how to add your own images.
The University for the Creative Arts recently launched a digital collection of material from Zandra Rhodes‘ personal archive of fashion materials. Rhodes was a student of UCA The press release notes that contextual and didactic content has been put on the website in addition to the
… 500 dresses and garments that have been painstakingly prepared, catalogued and photographed over the past 18 months for the Collection which has been created for the education community through a collaborative project between UCA and the Zandra Rhodes Studio, with funding from Jisc.
The robust digital collection features photographs and detail views of 500 finished garment (with fully cataloged descriptions), more than 100 pages of fashion drawings presented as fully digitized sketchbooks (using Turning the Pages software), and many videos of Rhodes speaking about her working process and career.
For more information and to explore the website, visit the Zandra Rhodes Digital Study Collection.
The Art Institute of Chicago has an extensive resource called Turning the Pages, which utilizes software developed by the British Museum to present fully digitized book-reader objects of select objects in the AIC’s collection. Images can be also zoomed in to view details. So far, 30 objects from various departments in the AIC’s collection and library have been rendered in this software:
Several of the Art Institute of Chicago’s most unique and important artist sketchbooks, manuscripts and rare printed items are now available online. Viewers may page through or zoom in to look closely at the bound volumes, prints, and handscroll paintings from the Department of Prints and Drawings, the Ryerson and Burnham Libraries, and the Department of Asian Art.
You’ll need to have Microsoft Silverlight activated on your computer to use Turning the Pages software. If you don’t have it, it can be downloaded for free here.
For more information, visit the AIC’s Interpretive Resource page for Turning the Pages objects.
Via ARTicle