Bobby Sengstacke Watching the Painting of the Wall of Respect, Chicago, 1967.
It is with great sadness that we share the passing of Robert Abbott “Bobby” Sengstacke, 1943-2017, a legendary Chicago photographer of the Civil Rights Movement, Black culture, and the Black Arts Movement. He died at the age of 73 on March 7, 2017 after a long battle with illness. Sengstacke was one of the city’s most prolific documentary photographers who was best known for capturing the African American experience. Having grown up in the newspaper business (he was the grand-nephew of Robert Sengstacke Abbott, founder of the Chicago Defender), Sengstacke was able to learn from established African American photographers at a young age and had unique access to important events and people. The Visual Resources Center has had the privilege of working with Rebecca Zorach over the past 8 years to digitize over 5,900 of Sengstacke’s negatives to create Images of Black Chicago: The Robert Sengstacke Photography Archive. Our heartfelt condolences go out to his family and friends and all who knew him.
The Chicago Defender’s obituary can be found here: Prominent Photojournalist and Former Chicago Defender Editor, Robert A. Sengstacke Dies at 73
top left: Bud Billiken Parade, c. 1967; top right: William Walker at the Painting of the Wall of Respect, 1967; bottom left: East 63th Street, c. 1966; bottom right: Opportunity Please Knock, 1967
The Visual Resources Center is pleased to announce that more than 6,300 new images are now available to the Archivision collection in the LUNA with the addition of Module Eleven! The newest update represents many new sites, including:
China: contemporary architecture including Dalian City Sport Center, Dalian International Conference Center, and Dalian Shell Museum
- India: Taj Mahal, Devi Jagadambi Temple complex, and Secretariat in New Delhi
- Colorado: Clyfford Still Museum and US Air Force Academy Cadet Chapel
- Europe: Interior documentation of the Sagrada Familia, Villa Farnesina, and Saint Peter’s
The VRC subscribes to Archivision, which now contains more than 84,000 images of architecture, urban design, and public art from all over the world and all style periods. The Archivision collection in LUNA is available to all on-campus users or those with a CNetID and password. Images from Archivision can be incorporated into Media Groups and used in conjunction with images from the Art History Department Image Collection or any other content available in LUNA.
All images are available for educational use only. For publication rights or more information, please email firstname.lastname@example.org.
First MoMA Exhibition: Cézanne, Gauguin, Seurat, van Gogh, 1929
The Museum of Modern Art has released an extensive digital archive that chronicles its exhibitions from when the museum opened its doors in 1929 to today. The archive features more than thirty-five hundred exhibitions and more than thirty-three thousand installation photographs, as well as primary documents such as press releases, checklists, catalogues, and artist lists. MoMA said, “By making these unique resources available at no charge, the exhibition history digital archive directly aligns with the museum’s mission of encouraging an ever-deeper understanding of modern and contemporary art and fostering scholarship.” Explore the digital archive on MoMA’s website!
The Department of Photography announced this week a new website focused on the museum’s Alfred Stieglitz photography collection. The interactive collection features high-quality reproductions of all 244 photographs in the collection gifted by his widow, Goergia O’Keefe in 1949. The majority of prints are by Stieglitz himself, but also by Ansel Adam, Julia Margaret Cameran, Paul Strand, Edward Steichen, and many others in his circle. Furthermore, the site highlights new conservation analysis, 900 images, scholarly essays, and downloadable files. Explore the site at media.artic.edu/stieglitz
In the early 1970s, art historian Georg Stahl extensively researched and documented the Chicago Mural Movement. This material was used to teach a Mural Painting course at the School of the Art Institute of Chicago with the late UChicago Professor Emeritus, Harold Hayden. In late 2014, Stahl graciously reached out to the Visual Resources Center and offered his material to help build our digital collections of Chicago Black Art. Over 600 slides, maps, and charts were digitized and now make up the Georg Stahl Mural Collection. Please visit http://stahl-collection.lib.uchicago.edu to browse the collection!
The University of Chicago has recently released a new web resource called Public Art on Campus which seeks to catalog, document, and provide contextual and critical information about the works of art on campus. There is an accompanying video which provides an overview of the works on campus. The website allows users to browse works by location, artist, and title and for selected works users can read an artist bibliography and an essay about the work. These selected works also include archival images and documents relevant to the work.
The VRC supports this project by maintaining the UChicago Public Art Collection and Archive in collaboration with the Smart Museum of Art, UChicago Arts, and Christine Mehring of the Department of Art History. This dedicated, password-protected collection is accessible to all on-campus users and off-campus users who have a CNetID and password. If you’d like to explore more, the Luna collection contains archival photographs, audio, video, conservation information, and other ephemeral documentation pertaining to the public works on campus.
Keystoning occurs when the subject is not parallel with the camera lense. For example, if the camera lense is closer to the bottom of the building, it will appear much larger than the top of the building in the photograph.
1. Double the size of the canvas. Image > Canvas Size
2. Select the entire image area.
3. Edit > Transform > Skew
To rectify right angles and retain proportions do not pull top corner fully out, but only halfway out, and then pull other corner halfway in, creating a fulcrum upon the midpoint of the line.
It may help to view the image with a grid. View > Show > Grid
4. Now crop out the superfluous two corners.
The Metropolitan Museum of Art recently announced that it has released a new edition of the Heilbrunn Timeline of Art History.
The timeline, which pairs essays and works of art with chronologies, tells the story of art, and global cultural, through the Museum’s collections. The new edition has been rethought with new navigation and interface, updated images, and restructured editorial content. It is also optimized to be responsive to both desktop and mobile devices.
The Archives of Asian Art has just published an article by Assistant Professor Chelsea Foxwell! Titled “The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan,” Foxwell examines the scenes of the Illustrated Life of Ippen, 1299 by En’i and suggests that rather than “a biographical narrative, it can also be seen as an ink landscape journey in handscroll form.” This journey is beautifully described throughout the article and is accompanied by over 25 color details. Scroll 7 of the Illustrated Life of Ippen is publicly available on the Digital Scrolling Paintings Project website, which features annotations and a live scrolling feature. Visit both sites linked above to learn more!
Image: En’i, Ippen hijiri-e (Ippen shōnin eden), 1299, scroll 7, scene 3. Nenbutsu dancing at the Kūya hall, Ichitani, near Kyoto. Ink and color on silk (handscroll), h: 38.2 cm. Tokyo National Museum.
The Walker Art Center recently announced the launch of a project – the Living Collections Catalogue. Published in volumes around a broad theme, each catalogue is a media-rich collection of essays focusing on that theme, as well as essays on particular works of art in the Walker collection.
The Walker states that it “aims to create a sustainable publishing platform that will be of service to academics and art enthusiasts. The designs adopt a visual aesthetic for navigation and page layouts blending the best qualities of the book, magazine, and online forms. With the release of new volumes, we anticipate adding new features and making improvements as our understanding of this hybrid environment—the intersection of a collections database with printed catalogue and digital reading environments continues to evolve.”
There are currently two catalogues on the site: On Performativity and Art Expanded, 1958-1978. A third catalog, on Merce Cunningham, is due in 2017.