Categories
ARTstor Renaissance - Baroque

Italian Frescos, Auction Archives, ARTstor Tips

What’s New in ARTstor

Two Archives from the Negative Collection at the Frick Art Reference Library – The first archive consists of over 3,000 images produced by the Italian photographic firm of Sansoni and richly documents fresco cycles and other forms of architectural decoration throughout Italy. The second archive, from A.C. Cooper and related archives, documents paintings as they passed through art auction galleries in London in the 1920s and 1930s.

Tips & Tools

Recorded Online Tutorials Now Available – Are you interested in ARTstor training? ARTstor introduces online training tutorials available for all ARTstor users at any time of day.

Sharing ARTstor Images and Image Groups through URL Links – Did you know that you can share ARTstor images or image groups with students or colleagues from your course website? Each image in ARTstor and every image group you create have stable URLs associated with them. The URLs can be emailed, embedded in Word or PowerPoint documents, or added as a link to online syllabi or resource lists. Just go to Share > Generate Image URL or Share > Generate Image Group URL.

By mmacken

twitter: meganmacken

Director, Visual Resources Center and Digital Media Archive, Division of the Humanities, The University of Chicago.

My academic background ranges from classics and comparative literature to modern art and architectural history, and so, naturally, I am a librarian. I have graduate degrees in art history and library science, manage digital image and audio collections for the Division of the Humanities, and am always eager to collaborate across disciplines, universities, and even continents! I'm interested in exploring the library's role in Digital Humanities, not just as an archive for born-digital objects but as a locus for Digital Humanities centers. At THATCamp I'm excited to find out how others are visualizing data, especially to facilitate creative research and teaching in art and architectural history and film studies. How can visual data (still images, film, 3D models, etc) move beyond illustration and become a source for research? What kind of creative information retrieval interfaces do we need to do this? We've got metadata...let's make it work!