Alican Çamci – Stas Venglevski (accordion)
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Composer: Alican Çamci; Accordion: Stas Venglevski
Recorded live as part of the Project Incubator concert at Constellation Chicago, May 10, 2015
Composer’s Notes: “It is no longer the character who is a stutterer in speech; it is the writer who becomes a stutterer in language: he makes the language as such stutter.
Is it possible to make language stutter without confusing it with speech? Everything depends on the way we consider language. If we extract it like a homogeneous system in equilibrium, or close to equilibrium, defined by constant terms and relations, it is obvious that the disequilibriums and variations can only affect speech. But if the system appears in perpetual disequilibrium or bifurcation, if each of its terms in turn passes through a zone of continuous variation, then language itself will begin to vibrate and stutter, but without being confused with speech, which never assumes more than one variable position among others, or moves in more than one direction.”
Gilles Deleuze, ‘He stuttered…’ from Essays Critical and Clinical
About the Artists
Alican Çamcı’s (1989) output includes works for small and large ensembles, solo instrumental music and electro-acoustic compositions. His music seeks to create a narrative with musical ideas inside and outside of Western concert music tradition as well as with themes and concepts from philosophy and psychoanalysis. A native of Istanbul, Turkey, he studied composition at the Peabody Conservatory with Michael Hersch. Currently he is continuing his studies in the University of Chicago with Marta Ptaszyńska, Augusta Read Thomas and Shulamit Ran.
His artistry, dazzling technical command, and sensitivity have brought Stanislav “Stas” Venglevski, a native of the Republic of Moldova, part of the former Soviet Union, increasing acclaim as a virtuoso of the Bayan. A two-time first prize winner of Bayan competition in the Republic of Moldova, Stas is a graduate of the Russian Academy of Music in Moscow where he received his Masters Degree in Music under the tutelage of the famed Russian Bayanist, Friedrich Lips. In 1992 he immigrated to the United States. Stas is an Accordionist, a Musician, an Arranger, an Entertainer and a Teacher. Stas’ repertoire includes his original compositions, a broad range of classical, contemporary and ethnic music. He has toured extensively as a soloist throughout the former Soviet Union, Canada, Europe, and the United States, including numerous performances with Doc Severinsen, Steve Allen and with Garrison Keillor on the Prairie Home Companion Show. Additionally, he has performed with symphony orchestras throughout the United States. He performed the world premiere of Concerto No. 2 by Anthony Galla-Rini and also the world premiere of Bayan and Beyond, composed for Stas by Dan Lawitts. He is a regular participant the Milwaukee Symphony Orchestra’s Arts in Community Education Program (ACE); has performed with the Chicago Symphony Orchestra and the Tacoma Symphony Orchestra; has done television commercials and performed in theater productions; produced numerous recordings including a transcription of Tchaikovsky’s Nutcracker Suite for Bayan as well as one of original compositions. He has published several books of original compositions. Stas founded Accordion XXI Century Series in 2010 so that the Midwest audiences can experience the amazing range of the Accordion and Bayan by bringing gifted artists from all over the world. In a concert setting, these gifted musicians share their skills and cultures to provide the audience with a unique musical experience. The performances feature the Accordion or Bayan in solo presentation and, when possible, in concert with other instruments. The brilliant artistry and musical virtuosity of Stas afford an expanded dimension in music and an innovative musical adventure to the audience.