[The following is a guest post from Ariella Phillips, current MAPHer and dramaturg for the production of Ulysses about to be mounted in Classics 110. Check it out! – the MAPH team]
Dear MAPHers, it’s time to treat yo’selves.
Spring has sprung. It is the season for iced coffees and adventuring outside. The thesis cloud over our heads the past two quarters has lifted and the Prom is around the corner. In sum, we are almost finished with our astonishingly brief year here at the University of Chicago.
So with all that newfound relief and celebration, I cordially extend an invitation to come see a new adaptation of James Joyce’s Ulysses by the Whiskey Rebellion Theatre Company! Meant for Bloomites and the uninitiated of Joyce’s behemoth of a masterwork alike, the play creates the world of June 16, 1904 Dublin in a UChicago classroom. Ulysses 101 was adapted and directed by a pair of U Chicago graduates that understand that a quarter here at U Chicago is not just ten weeks of classes, it’s a journey of Homeric proportions. We may be exhausted, and anywhere on the spectrum of mildly stressed to in a white knuckled panic about the approaching booting us out of our ivory tower into “the real world.” But as Buck Mulligan might say, it is all fine and good to live the life of the mind, but let’s give up the moody brooding! Let’s celebrate! Let’s laugh! Let’s make poop jokes! Let’s enjoy a story about the small, dirty truths of being human.
At 4:00 pm this Wednesday, 5/14, recipients of the 2013-2014 Arts|Science Initiative‘s Graduate Collaboration Grants will present their work on the Logan Center’s Performance Hall stage. Along with graduate students from Music, Physics, Psychology, Visual Art, and Neuroscience, Bill Hutchison, a MAPH alum and current doctoral candidate in English, will be presenting his project “Fiction Addiction” with Anya Bershad (Psychiatry and Behavioral Neuroscience). Read on for more details! Continue reading →
It was 50 degrees Monday. The snow/ice was melting, the sun was peeking out, undergrads were wearing shorts. Sure, now it looks like Gethen out there, but it’s still almost spring. I don’t need to tell you that with Spring comes some important deadlines (like the thesis), but never fear, you have time to start thinking about things. And we are here to help.
There is a detailed list of this summer’s MAPH internships below. But first, here are some dates to put on your calendar:
Spring Break Thesis Write-In: March 24-28 (I cannot recommend this heartily enough! More info & registration here.)
Mentorship/Internship/Externship Application Kickoff: Friday, April 4 at Noon (location TBA). Come ask us questions about these offerings!
MAPH Resume & Cover Letter Workshop: Friday, April 11 at Noon (location TBA)
Internship and Mentorship Application Deadline: Friday, May 2
Keri, Tavi, and I will likely have new office hour slots next quarter, but we are around next week!
Keri: Thursday, 3/20 from 9 until 11 am
Jessi: Wednesday, 3/19 from 2:30 until 4:30 pm
Tavi: Thursday, 3/20 from 1:30 until 3:30 pm
We are also available during other times, so please do not hesitate to reach out if you would like to meet but can’t make our office hours. Also, Mearah will be having open office hours over at Career Advancement from 3-5 pm every Thursday next quarter. We definitely recommend stopping by to see her!
Emily Nordling, current MAPHer and spec fic writer, wrote the following post for Tor.com (for full post, click on the link below):
Ursula K Le Guin
Ursula Le Guin and Molly Gloss were two of the keynote speakers at last week’s conference for the Association of Writers and Writing Programs Conference. I’d never been to the conference before, but I couldn’t help but be surprised; there is a fairly common—and justified—defensiveness among SFF readers and writers when it comes to the mainstream literary world, whether due to its cooption of writers like Kurt Vonnegut and Angela Carter, or to its perpetuation of the high art/low art divide. Continue reading →
Translation, poetry, presses, Singapore, publishing… Read on for Hao’s hour-by-hour (more or less) account of one whirlwind afternoon and evening behind the scenes at AWP.
It is the second day of conference. I meet fellow Singaporean, friend and mentor Alvin Pang. It is always nice to see a familiar face in an unfamiliar place. He is with Drunken Boat editor Ravi Shankar and other members of his staff. I listen in on their plans to make Singapore literature take over the world. Ravi wants to feature a folio of Singapore poetry on Drunken Boat, and Erica Mena pitches a multi-journal collaboration to bring world poetry to the forefront of the literary-journal consciousness. The excitement is palpable. Continue reading →
Disclaimer: Chris gave me permission to point out that this is “fiction.” No MAPH students were chained to the UChicago booth during AWP 2014. 2013, well, that’s in the past…
While I was sitting at booth 411 of the AWP Book Fair, smiling scribers would pass by from far-off conference center rooms, glinting with the secrets they had just learned of the craft, mumbling things like “the open ending” or “linked story collections” over and over to themselves. I would sigh, try to catch one of their eyes, and turn their attention towards our program. “Why don’t you try that open ending here, at U Chicago?” I would say. Or, “We like linked stories too.” But, really, this was my way of trying to penetrate those golden orbs of knowledge they possessed now from the panels. What was it like to attend an AWP panel, I thought? What sort of person would I be if I had attended one? Yes, something in them seemed to coronate these people who now glided through the aisles of booths, breezily calling themselves “writers.” The black iron clamp around my foot jiggled the chain that linked it to our table as I sat down and began imagining my own panels and the treasures they would hold: Continue reading →
A five-day excursion to (surprisingly) sunny Seattle with friends and colleagues left me with a myriad of stories. Where do I begin summing up my experience at the Association of Writers and Writing Programs conference? From my first time in a hostel, to drinking “Unicorn Jizz” at a psychedelic Victorian bar, to witnessing first readings and being surrounded by thousands of people all in a writerly state of mind, it’s hard to pick my favorite part. So instead, I’ll focus on what impacted me the most.
Are you a poet? Do you seek to expand your audience through readings and interviews? Well, if you’re an uncharismatic reader of your own work, don’t expect a slot at the Texas Book Festival, at least not while Steph Opitz is the Literary Director. Continue reading →