1) Sergei Eisenstein, “The Enchanter from the Pear Garden,” Theatre Arts Monthly, pp. 760-770.


2) Barbara Mittler, “Cultural Revolution Model Works and the Politics of Modernization in China: An Analysis of Taking Tiger Mountain by Strategy,” in The World of Music 45 (2) 2003: 53-81.


3) Megan Evans, “The Emerging Role of the Director in Chinese Xiqu” in Asian Theatre Journal, vol. 24, no. 2 (Fall 2007): 470-504.


4) Luo Hui, “Theatricality and Cultural Critique in Chinese Cinema” in Asian Theatre Journal, vol. 25, no. 1 (Spring 2008): 121-137.