If you didn’t get a chance to attend Alumni Weekend 2013, you’re in luck! Here is a video of the panel in its entirety. Time stamps after the jump:
Today is your last chance to register for Alumni Weekend and see what’s going on inside MAPH’s new journal, Colloquium. Colloquium is an online journal run entirely and independently by MAPH alumni and current students.
We’ll be launching our second issue at MAPH’s Alumni Weekend event, and it’s going to be fantastic. Issue 2.1 has Bauhaus, the Italian avant-garde, rebels and militants, sitars and soundscapes, three poets, short fiction, a cat called Mouloud, and a not-inconsiderable amount of spectroscopy.
At the University of Chicago and in MAPH in particular, we joined – for a lifetime – a community of humanists, world-changers, and fierce question-askers. We chase the ineffable and, in one form or another, we chronicle that pursuit. Those chronicles are how we talk together when we can’t talk together. When we founded Colloquium last year, it was to give a home to these chronicles-as-conversations.
The only thing better than having all these conversations happening in one online journal is having them face-to-face. Come and experience Colloquium at Alumni Weekend – or better yet, become a part of it.
Founding Editor of Colloquium
Continue reading for the bios of the participants in the Colloquium panel: Continue reading
Alumni Weekend 2013 is approaching! June 6-9, 2013, the University of Chicago will be holding a series of panels, lectures, and social events geared toward alumni. There are a plethora of events being put on by each division so there will be PLENTY to see and do, but we wanted to draw your attention specifically to the event where MAPHers will be making a big showing.
Saturday, June 8th
Harper Memorial Rm. 130
116 E. 59th St.
Our main event! Deputy Director Hilary Strang will be moderating a panel on Colloquium, MAPH’s interdisciplinary online journal. Colloquium‘s editing staff and contributors to the latest issue will be in attendance, and the event will include readings from the latest issue by MAPH students, alumni and friends.
Saturday, June 8th
116 E. 59th St.
What would MAPH be without free food and beer? MAPHers will be making a showing here throughout the duration of the afternoon. Come by and socialize before and after the Colloquium panel.
The deadline to register is next Friday, May 31st—but space is already filling up, so the sooner you can register, the better! When you register, make sure you specifically check the box for the Colloquium event and the Beer Garden to reserve your space!
Naomi Slipp (MAPH ’09) is a current PhD candidate in the Department of History of Art & Architecture at Boston University. As a facet of her studies, she has been planning an exhibition on American art and artistic anatomy, the topic of her dissertation research, since the spring of 2010. Directly inspired by her MAPH thesis written on the bronze anatomical casts of Thomas Eakins at the Philadelphia Museum of Art, the two-month long exhibition Teaching the Body: Artistic Anatomy in the American Academy from Copley, Rimmer, and Eakins to Contemporary Artists, opens January 31, 2013 at the Boston University Art Gallery and includes over eighty works of art (many never exhibited before), extensive public programming, and an illustrated catalogue with scholarly essays.
She says of the project: “I feel inspired by artistic anatomy because these works of art visualize the uncharted and wondrous terrain of the human body, not some distant volcano or historical event, but the miraculous, complex mechanisms operating within ourselves. The study of anatomy also, historically, has brought together doctors and artists who sought to explore this corporeal space together.”
Because of this, she is also very excited about the opportunities for interdisciplinary collaboration around the exhibition topic. She says: “I want to create a dialogue between these two commonly polarized fields (art and science). To that end, we are initiating collaborative programming with Massachusetts General Hospital, the College of Fine Arts, the BU Medical College & the Center for Science & Medical Journalism at Boston University, and the Massachusetts College of Art & Design. I hope to unite this diverse audience, bringing together people who are interested in art and those who are interested in medicine for a rich, shared conversation about what it means to occupy, treat, & picture our own bodies.”
Cristopher De Phillips (MAPH 2009) arrived at UChicago as a MAPH student in 2008. Even now, he remembers cold and cloudy days in January. “I’d say to myself–‘This thesis is never going to get done.'”
As Founder and Director of Chicago Welcomes Home the Heroes, De Phillips now finds himself in familiar circumstances–looking ahead to the execution of a difficult project whose scope seems to continuously widen–though the task that he’s set in front of himself can seem even more challenging. Along with co-founder Laurie Ipsen, De Phillips is spearheading the effort to plan and execute America’s largest welcome-home parade for veterans of America’s post-9/11 wars (THIS DECEMBER 15IN DOWNTOWN CHICAGO). The organization will also host a screening of the documentary film Hell and Back at the Reva and David Logan Center on SATURDAY, NOVEMBER 10 (6PM), with a panel discussion to follow.
MAPH students and alumni are welcome to attend all of the events.
All of this amounts to a huge set of logistical challenges that has demanded collaboration with civic, government, non-profit, and corporate interests (Chicago Welcomes Home the Heroes secured their first major sponsor in United Health Care on the day that I met with De Phillips and Ipsen here in Hyde Park).
De Phillips jokes that he has confidence that the work will get done in part because of his experience writing that MAPH thesis project–a project that likely seems less daunting when observed in the rear-view mirror.
He became interested in the idea of a Chicago parade after seeing Rachel Maddow’s coverage of Saint Louis’s event–which attracted roughly 100,000 people. It may seem like an unlikely calling for a MAPH alum–especially one without any firsthand experience of military life (neither De Phillips nor Ipsen has been in the armed forces). But this logistically complicated and emotional process has become the focus of De Phillips’s professional life during the past year. Continue reading
Mark your calendars! Saturday, October 20th is the 34th annual Humanities Day at the University of Chicago. If you aren’t familiar with Humanities Day, it is an epic day of lectures from some of the heavyweights in the university’s Humanities Division. If you happen to be in town, please consider attending! Friends and family are welcome!
MAPH-affiliated faculty are making a great showing this year. The following talks may be of particular interest to past, present and future MAPHers:
- “Ethics & the Consequences of our Actions” (9:30AM), given by Ben Callard, current Deputy Director of MAPH.
- “Antiquities Under Seige: Baghdad, Cairo, and Libya” (9:30 AM), given by Lawrence Rothfield, Co-Founder and past Director of MAPH.
- “Reason and the Freudian Unconscious” (2PM), given by Candace Vogler, past Director of MAPH.
- “On Reading Dante’s Vita Nuova” (3:30PM), given by David Wray and introduced by Hilary Strang, current Director and Deputy Director of MAPH.
There is also a MAPH reception directly after David’s lecture in the Logan Center, which is a beautiful, brand new building on the south side of campus. The reception will be next door to David’s lecture, in Room 801.
So if you’re looking for a great way to reconnect with your MAPH experience, please join us next Saturday, October 20th, for Humanities Day. Hurry up and register so we can save you a seat!
On Tuesday, May 22nd at 6:00 pm at the brand new Logan Center, MAPH is co-sponsoring a panel discussion on Chicago police torture.
In moment when the relevance of the humanities is being challenged, it is a great opportunity to have a conversation about what the role of journalism or a play might be in a public dialogue about a serious social concern like torture. We hope this will be the start of future discussion-based events for current students and alumni to keep discussing at the role of the humanities in the academy and the world at large.
The event will feature John Conroy, the Chicago journalist who covered the Chicago police torture scandal, who has now written a play inspired by the cases he covered. His book on torture, Unspeakable Acts, Ordinary People is often taught in courses at the university. In addition to John, panelists will include CraigFutterman, founder of the Civil Rights and Police Accountability Project at the University of Chicago, Former Chicago Police Superintendent Richard Brzeczek, People’s Law Office founding partner G. Flint Taylor and will be moderated by WBEZ’s Kelly Kleiman.
At the start of the evening actors will perform a scene from the play as a spark for discussion and there will be a period for questions and discussion from the audience. A reception will follow the event.
We hope those living in Chicago will make the time to join us for this conversation.
Dance Films Kino is a three-week project that I am presenting as an artist in residence at Hyde Park Art Center, March 4-25, 2012. Over three weeks, I will present 30 works of dance on film, as well as over a dozen live music, dance, and literary readings. All of the programs will be free to the public.
The seeds of this project were planted ten years ago, back when I was a MAPH student sitting in Yuri Tsivian’s intro to film class, learning about how filmmakers whose works were censored, or considered to be too experimental for mainstream distribution, showed films out of their own homes.
The films and performance I am presenting will be shown in an environment inspired by “kinos”, underground, avant-grade art clubs of the 1920s and 30s. I’m currently getting ready to paint the walls of my residency studio red, put out the caberet tables, and art deco objects I’ve sourced from Etsy. I’m creating artwork inspired by movement to hang on the walls of the space.
My first goal is to show movies in a place that feels like someone’s home, so that people are a little more willing to give something they’ve never seen before a try. My second goal is to bring all kinds of artists, writers, musicians, dance makers and filmmakers together to create a lot of different points of access into the work.
My third goal is to invite people to help create the space by imagining what it would be like to be a part of an underground society, to feel nostalgia for a fictional place situated in the past. I think there is a collective desire to engage in this type of activity. I think it is part of the reason why bars inspired by speakeasies are so popular, and why people like to fantasize about travel, even in tough economic times.
More on how Sarah arrived at this point after the jump
Martin Schwartz (MAPH ’06) directed and wrote Tutor: enter the exclave, a theatrical piece based on JMR Lenz’s Der Hofmeister (1774). The work is slated to open tomorrow at Dark Porch Theatre in San Francisco, CA and runs through October 22nd at the EXIT Studio on 156 Eddy St. If you are in the Bay Area it looks like a great night out for some experimental theater.