Welcome to the first quarter of Literature, Theater and Cultural History of China, 1500-Present!
In this workshop, we will aim to take an interdisciplinary understanding of literature, theater and cultural history in the representations and practices that emerged over the 16th to 20th centuries. At one of the significant junctures of these fields lies Chinese opera, a topic we will examine frequently during the year in order to expand further our understanding of it as an art form and as a major influence across the boundaries of scholarly disciplines, geographic place and historical era.
We will be continuing the work of the former Premodern East Asia Workshop by exploring many of the same issues raised in years past, including performance on stage and on screen, the politics of adaptations and remakes, the tensions between opera and cinema, the relationship between viewing and listening practices, and the intersections between opera, film, art and printed media.
Just as last year, we will continue to offer occasional screenings of Chinese opera film. This year’s focus will be on opera film production after the Cultural Revolution and extending to the present day.
Autumn line-up:
Oct 15, Li Huiniang 李慧娘, 1981, directed by Liu Qiong, Deng Yimin, and Sha Jie
Oct 22, Wunü Baishou 五女拜寿, 1984, directed by Lu Jianhua and Yu Zhongxiao
Oct 29, Fumiko Joo, “A History of the Huxin Temple in Ningbo and the Localization of “The Peony Lantern”
Nov. 12, Katherine Alexander
Nov. 20, Susan Naquin, Princeton University, talk on 18th c. Chinese material culture (co-sponsored by Visual and Material Perspectives on East Asia Workshop) (location pending).
Later in the year, look for presentations by David Rolston, University of Michigan; Liana Chen, Pennsylvania State University; Lin Yeqing, Tsinghua University; Suyoung Son, University of Chicago, Xu Peng, University of Chicago, and others
All events will be held on Thursdays, 4:30-6:30 in Classics 111, unless otherwise noted.