All Things Visual: The University of Chicago Visual Resources Center

The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:

Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!

Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.

For more information, visit the Lee Miller Archives.

Millions of photographs from the LIFE photo archive are available via Google Images, only a small number of which have been published. Eventually the project will include about 10 million images. You can search specifically in the LIFE search portal, or you can add “source:life” to any Google image search to return only images from the LIFE photo archive.

The archive includes documentary photography by many well-known photographers working in the magazine industry during the hey day of photojournalism, including Margaret Bourke-White, Alfred Eisenstaedt,

The very first cover of LIFE magazine was a photograph taken by Margaret Bourke-White of Fort Peck in Montana. The issue was published on November 23, 1936. Images from the LIFE photo archive are for personal, non-commercial use only.

For more information, visit the LIFE photo archive digital collection hosted by Google Images.

The photography blog PetaPixel recently posted about photography books in the public domain that have been included in Project Gutenberg digital library. Of the 37 books to be fully digitized, perhaps the most exciting is the inclusion of William Henry Fox Talbot’s The Pencil of Nature, published in 1844. The book details his calotype process and includes 24 images of finished calotype prints with text describing the image’s creation and significance.

Via PetaPixel

For more information, visit Project Gutenberg.

Founded in 1949, the George Eastman House, International Museum of Photography and Film in Rochester, NY is the world’s oldest museum of photography and recently announced that it will be the first photography museum to join the Google Art Project:

So far, 50 high-resolution images from their collection—encompassing the birth of photography to the late 20th century—have been added to the Google Art Project website with zooming capabilities and robust cataloging information, and much of the object data was previously unavailable online. More photographs will eventually be added, and the GEH is also partnering with Google Maps Street View to provide 360º views of their galleries and grounds.

For more information, visit the George Eastman House in Google Art Project or read the GEH Press Release.

Via PetaPixel

Vivian Maier (1926–2009) moved to Chicago in 1956 and though she worked as a nanny to support herself, she spent her spare time taking photographs and making films. Her work was largely unknown during her lifetime, as the more than 10,000 negatives she made were kept hid:

Maier’s massive body of work would come to light when in 2007 her work was discovered at a local thrift auction house on Chicago’s Northwest Side. From there, it would eventually impact the world over and change the life of the man who championed her work and brought it to the public eye, John Maloof.

While Maloof and his team were cataloging her work, they maintained an image-heavy website dedicated to her life and work, and the Chicago Cultural Center mounted an exhibition “Finding Vivian Maier: Chicago Street Photographer” (7 January–3 April 2011), which garnered a lot of public interest in Chicago’s “nanny photographer”.

Authors Richard Cahan and Michael Williams released a new book of Vivian Maier’s photographs last month called Vivian Maier: Out of the Shadows. In addition to providing context for the artist’s life, the book publishes 275 of her photographs. To celebrate, After-Words New and Used Books in downtown Chicago is hosting a book signing party on Thursday, November 29 at 6:30.

Via Chicagoist

The Metropolitan Museum of Art recently released a new iPad app, “Faking It: Manipulated Photography Before Photoshop” to accompany a current photography exhibition.

Digital cameras and image-editing software have made photo manipulation easier than ever, but photographers have been doctoring images since the medium was invented. The false “realities” in altered photographs can be either surprising and eye-catching or truly deceptive and misleading.

Faking It is a quiz that asks players to spot which photos are fake and figure out why they were altered. Through fifteen sets of questions accompanied by more than two dozen remarkable images, the Faking It app challenges misconceptions about the history of photo manipulation.

Images in the app range from a heroic portrait of Ulysses S. Grant to a playful portrait of Salvador Dalí, and from New York’s glamorous Empire State Building to Oregon’s sublime Cape Horn.

The app complements the exhibition Faking It: Manipulated Photography Before Photoshop (on view October 11, 2012–January 27, 2013).

The Tibetan and Himalayan Library (THL) collections of images are indexed by THL’s Place Dictionary and Knowledge Maps for easy exploration. View over 60,000 photos of Tibet and the Himalayas, many with links to maps.

The Tibetan and Himalayan Library is a publisher of websites, information services, and networking facilities relating to the Tibetan plateau and southern Himalayan regions. THL promotes the integration of knowledge and community across the divides of academic disciplines, the historical and the contemporary, the religious and the secular, the global and the local.

Images are linked together by topic, location, and collection for easy browsing and context. For more information, see the library’s main site.

The Graphics Atlas from the Image Permanence Institute at the Rochester Institute of Technology allows for dynamic exploration of printing processes, from pre-photographic to digital. Visitors can browse techniques visually, by name, or on a timeline. Detailed comparisons of different techniques help viewers learn to visually distinguish one printing process from another.

The Photography, Video and Visual Journalism blog for the New York Times, Lens, has revealed their interactive mosaic of photographs which were solicited on Sunday, May 2nd, from readers around the world. The mosaic takes shape as a globe covered with stacks of the digital photographs, corresponding in location to where they were captured at a single moment in time. The globe can be “spun” in any direction to explore various locations, and pictures can be searched by topic: community, arts and entertainment, family, money and the economy, nature and the environment, play, religion, social issues or work. Image-specific URLs are also available so that you can return to your favorite photographs again and again.

Wherever you are, we hope you’ll have a camera — or a camera phone — in hand. And we hope you’ll be taking a picture to send to Lens that will capture this singular instant in whatever way you think would add to a marvelous global mosaic; a Web-built image of one moment in time across the world.

Read more about this project on Lens, the Photography, Video and Visual Journalism blog for the New York Times. Submit your photographs here (link will be active after 15:00 on May 2nd).