In mid-October, the Getty Research Institute’s Special Collections announced that it has added 5,400 artwork images from special collections to the Open Content Program, which brings the total number of images that are freely available without copyright restrictions to more than 10,000.
The newly added content includes “artist’ sketchbooks, drawings and watercolors, rare prints from the 16th through the 18th century, 19th-century architectural drawings of cultural landmarks, and early photographs of the Middle East and Asia.” For example, there are more than thirty early photographs from Mayan archaeological sites.
For more information, check out our previous blog post on the Getty’s Open Content Program, or explore the 10,000 public domain images here!
Via The Getty Iris
Image: [Nunnery complex (Uxmal, Mexico): detail of facade frieze], 1882, GRI Digital Collections, 94-F125.
160 objects from the Colonial Williamsburg Foundation‘s collections are now available in the Google Art Project, and include paintings, furniture, silver, Chinese export porcelain, as well as ceramics, prints, maps, textiles, and numismatics.
For more information, check out the Colonial Williamsburg collection in Google Art!
Picturing the New World: The Hand-Colored De Bry Engravings of 1590 is a resource from UNC Libraries that presents the digitized engravings Theodore De Bry (1528–98) illustrated for A Briefe and True Report of the New Found Land of Virginia. These hand-colored engravings were based on the watercolors of John White, who became part of the first British colony in North America, which was established off the coast of what is now North Carolina in 1585. Although the colonists were only there for about a year, White painted the environment and people of North America.
In 1588, A Briefe and True Report of the New Found Land of Virginia was published, containing stories and descriptions about the new land. De Bry worked directly from John White’s watercolors to create 27 engravings for the illustrated edition to create what would be the first published images of Native Americans. However, the digital collection notes:
While the De Bry engravings shown on this site represent the earliest published images of Native Americans, viewers should be careful not to interpret these as accurate depictions of the inhabitants of North Carolina in the late sixteenth century. The images shown here are twice removed from John White’s original watercolors. In the engravings created by Theodore De Bry, there are many subtle but significant changes from White’s originals: the facial structure of most of the people has been altered, resulting in portraits that look more like Europeans; the musculature on most of the people is much more defined in the De Bry engravings; and the poses of many of the subjects seem to reflect classical statuary. The colorist for this volume has contributed to the distortion of the original images by adding a pale skin tone and blonde hair to some of the people and decorating much of the vegetation in colors that are unlike anything that occurs naturally in this part of the world.
For more information and to explore the digital collection, visit Picturing the New World: The Hand-Colored De Bry Engravings of 1590.
We’ve been covering the news about Artsy since its launch in October 2012 and the announcement earlier this month that it is releasing more than 25,000 images for download. Their next big move is the debut of an iPhone app that takes full advantage of many features in the newly released iOS 7.
The Artsy App is free to downloaded and is updated daily. Currently, it contains more than 50,000 high quality images of artworks that can be searched or browsed across several categories, including subject matter, medium/technique, and style and movement. The app also contains up-to-date information about art world happenings, including exhibitions, art fairs, and auctions.
You can take advantage of the new Parallax feature in iOS 7, which helps Artsy’s feature “View in Room” to engage with artworks as if they were in a gallery setting. Users can also email works of art, save, copy, and print directly from within the app.
We’ve installed the Artsy App on the VRC’s iPad, so feel free to check it out on your own or swing by the VRC to see ours!
In July, the Kalamazoo Institute of Arts launched a new digital collections website in eMuseum, which allows users to view more than 4,000 of the museum’s works online. The museum focuses on “American painting, sculpture, and ceramics; American and European works on paper (16th century and later); and photography.”
To explore the KIA’s 4,200 works on the web, search or browse their Collections website. The website allows users to view an enlarged version of the work and provides basic catalog records.
For more information on eMuseum, visit our previous blog post on the topic, or conduct a federated search on the collections of more than 600 cultural institutions that host their collections in Gallery Systems’ eMuseum software.
The Art Institute of Chicago‘s digital collections database offers a feature called “My Collections” that allows users to do several things:
- Create a user profile and log in
- Search for and select works of art from their web collection
- Create multiple My Collections and choose which one you want to save an image to
- Personalize My Collections by adding descriptive notes
- Share My Collections with others via an emailed link (and people you’ve shared My Collections with will be able to see your notes!)
For more information, read about My Collections or explore the Art Institute’s Online Collections.
This summer, the Europeana digital library launched its first app, Open Culture, which includes a selection of 350,000 images from its online collection of cultural objects from Europe’s institutions. The app is organizied around five curated themes, including Maps and Plans, Treasures of Art, Treasures of the Past, Treasures of Nature, and Images of the Past.
Users can perform keyword searches in the app, or browse through a visual wall of image thumbnails. You can also save favorites, add comments, and share object records on Facebook or Twitter. Perhaps best of all: the images included in the Europeana Open Culture app are either in the public domain or openly licensed, so they may be used for any publishing purpose.
For more information, stop by the VRC to explore Open Culture on our iPad, or visit the App Store.
Via Europeana Blog
SFMOMA recently launched a new web module, the Rauschenberg Research Project, which presents more than 85 works by the artist along with related contextual and archival materials. SFMOMA holds the premier collection of Rauschenberg’s work, spanning his career from 1949–98, including combines, sculptures, paintings, photographs, prints, and works on paper.
Each artwork record includes robust cataloging data based on up-t0-date research by SFMOMA, multiple views of the object with conservation notes, contextual essays on the object’s creation and life, and ownership, exhibition, and publication histories. There are also links to related archival materials including interview videos, curatorial documents and museum files, and related artworks.
Users have the option to download content from the website, including images that are of suitable size and quality for PowerPoint presentations and PDFs of the work catalog records and the contextual essay, as well as the option to download all available materials in a zipped folder.
The project was developed by SFMOMA in conjunction with the Getty’s Online Scholarly Catalog Initiative and the Robert Rauschenberg Foundation.
For more information and to explore the online collection, check out the Rauschenberg Research Project.
Via ArtDaily and Iris (The Getty).
The University of Chicago Photographic Archive has a digital collection that contains images from five series encompassing the University’s history, including individuals and groups, buildings and grounds, events, student activities, sports, the Yerkes observatory, and the Chicago Maroon student newspaper.
This is a great resource for school pride and nostalgia and also a stellar resource for studying the development of campus architecture.
Image credit: Cochrane Woods Art Center I. University of Chicago Photographic Archive, apf02108, Special Collections Research Center, University of Chicago Library.
During the Jazz Age, The Chicagoan magazine was published as a rip-off of the New Yorker, but for the Second City set. Although its writing was less-than-stellar, the magazine covers and interior illustrations were more than. Neil Harris, Preston & Sterling Morton Professor Emeritus of History and of Art History began researching the magazine in the late 1980s when he stumbled across it in the Regenstein library, and now a near-complete run is digitally available through the University of Chicago Library in The Chicagoan digital archive. The magazine’s run can be browsed on the web by date or by volume, and is also full-text searchable. In 2008, Harris published a book about the magazine, which folded in 1935, called The Chicagoan: A Lost Magazine of the Jazz Age.
For more information, check out The Chicagoan digital archive and Harris’ book The Chicagoan: A Lost Magazine of the Jazz Age.
Via Chicago Reader
Image: The Chicagoan, June 14, 1926 (vol. 1, no. 1), cover. Copyright The Quigley Publishing Company, a Division of QP Media, Inc.