Mummies are being imaged with CT scanners and 3D scanning technology to capture the interior as well as the exterior surfaces, colors, and textures of the mummy as well as the cartonnage and sarcophagus. Eventually these images will result in an interactive exhibition. The Guardian describes the project as such:
The Museum of Mediterranean and Near Eastern Antiquities (Medelhavsmuseet) in Stockholm, FARO and Autodesk have teamed up in a mummy visualisation project. The collection will be digitised using the latest 3D reality capture techniques and made available to museum visitors through an interactive exhibition experience.
Via The Guardian.
In June 2013, the Council of Library and Information Resources in conjunction with the Andrew W. Mellon Foundation published the report Images of Works of Art in Museum Collections: The Experience of Open Access. The report, written by Kristin Kelly, examined the policies, websites, and procedures of 11 large museums to get determine the state of open access to images.
The report has been added to our web page about Copyright Resources for Academic Publishing, which provides a list of general guides and resources as well as lists repositories that have copyright-free or copyright-lenient policies towards letting users download high quality image files of works of art. We try to keep this web page up-to-date, so if you’re aware of any collections that should be included, please don’t hesitate to let us know!
Tomorrow, the Philosophy show of the three-part AFRICOBRA in Chicago exhibition opens at the Reva and David Logan Center for the Arts. AFRICOBRA in Chicago presents three current and upcoming shows in Chicago take a deserved look at the Black Arts Movement in Chicago and the African Commune of Bad Relevant Artists (AFRICOBRA), which was founded in 1968 by a group of Chicago artists. The three parts of the AFRICOBRA in Chicago exhibition are as follows:
- Prologue, South Side Community Art Center, May 10–July 7, 2013 (curated by UChicago students)
- Philosophy, Reva and David Logan Center for the Arts, June 28–August 7, 2013 (curated by Rebecca Zorach)
- Art and Impact, DuSable Museum, July 26–September 29, 2013
Many works from the exhibitions are from the collection of the South Side Community Art Center. The VRC is proud to include over 350 images from the SSCAC publicly in our online LUNA database.
For more information about the exhibits, visit the AFRICOBRA in Chicago website.
Via UChicago News
The Image Collections and Fieldwork Archives at Dumbarton Oaks Research Library and Collection in Washington, D.C. recently digitized fourteen 16mm films from its collection. The 14 films include footage of the Dumbarton Oaks grounds from the mid-1920s to the 1940s, as well as films made by the Byzantine Institute during the 1930s and 1940s that document conservation efforts on site at the Red Sea Monastery of Saint Anthony (Egypt), Hagia Sophia (Istanbul), and Kariye Camii (Istanbul). Several of the films are in color, giving viewers a chance to see “the process of cleaning, restoration, and preservation in great detail, as well as the quality and visual impression of the mosaics in their most shining state.”
The digitized films have been made available through the video streaming service Vimeo, and can be embedded into websites.
For more information, explore the Moving Image Collection at Dumbarton Oaks and the collection accompanying archival materials in The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers.
Via ICFA Blog
Just in time for this great weather, Curbed Chicago and the Chicago Public Art Group have created a Google Map identifying great examples of public art underneath Chicago’s overpasses. The map includes several murals that are in Hyde Park, so happy exploring!
For more information about public art resources, see our post about the Public Art Archive.
In 2009, the Tate published The Tate Guide to Modern Art Terms and followed it with an iPad and iPhone app released in March 2012. The app defines more than 300 terms pertaining to modern art themes, movements, media, and art practices, and many definitions are illustrated with artwork examples.
The app interface allows users to search for terms or browse by image gallery or category. Users can also create a list of “favorite” art terms.
To learn more about the Tate Guide to Modern Art Terms, check out the iTunes App Store, the Tate, or visit the VRC to try it on our iPad. You can also browse the physical copy in the Regenstein reference section.
The Art Institute of Chicago has an extensive resource called Turning the Pages, which utilizes software developed by the British Museum to present fully digitized book-reader objects of select objects in the AIC’s collection. Images can be also zoomed in to view details. So far, 30 objects from various departments in the AIC’s collection and library have been rendered in this software:
Several of the Art Institute of Chicago’s most unique and important artist sketchbooks, manuscripts and rare printed items are now available online. Viewers may page through or zoom in to look closely at the bound volumes, prints, and handscroll paintings from the Department of Prints and Drawings, the Ryerson and Burnham Libraries, and the Department of Asian Art.
You’ll need to have Microsoft Silverlight enabled on your computer to use Turning the Pages software. If you don’t have it, it can be downloaded for free here.
For more information, visit the AIC’s Interpretive Resource page for Turning the Pages objects.
Image from Presentation copy of Pablo Picasso (Spanish, 1881-1973), Le Chef d’oeuvre inconnu (The Unknown Masterpiece), 1931.
The Los Angeles County Museum of Art recently launched a new collections website that features a faceted search engine that facilitates both browsing and direct searching of the museum’s objects. Most importantly, however, is LACMA’s initiative to release nearly 20,000 high-quality images of art objects from their collection believed to be in the public domain. Users can freely download the images and use them as they see fit.
If you want to see all of the public domain objects for which downloading a high-quality image is possible, run a search on your research term and select “Show only unrestricted images” at the top of the page. Alternatively, if you’d like to all 20,000 objects LACMA has made freely downloadable, run a blank search and select “Show only results with unrestricted images” from the top of the page.
For even more information, we keep our list of Copyright Lenient Images for Academic Publishing up-to-date.
The Museum of Modern Art has opened the MoMA PS1 Archives to the public. The collection contains more than 300 linear feet, representing the entire history of the art space, from its opening in 1971 to the present (PS1 merged with MoMA in 1999). The majority of the material pertains to exhibition and press records, but the project description notes:
The records provide extensive documentary evidence of an institution that was in the vanguard of nonprofit spaces and at the heart of the 1970s and 1980s New York art world—and that continues to be a vital center for the exploration and exhibition of contemporary art today. Documentation of particular historical significance in the Archives includes records of the institution’s founding and growth in the early 1970s; exhibition and curatorial records for nearly 900 exhibitions and events over 35 years; materials documenting the National and International Studio Program and the publications program; and records of founder and former director Alanna Heiss.
In addition to the finding aids for the nine series of records, there are several web resources including a chronology, a publication history, an artists index, and a complete exhibition history. Several of these resources are cross-referenced for greater utility to researchers.
The MoMA PS1 Archives can be consulted by appointment at the MoMA Archives reading room at MoMA QNS, open Mondays, 11 am–5 pm.
For more information, visit the project website and the finding aids.
Image: “Exterior View of P.S. 1,” photograph by Jonathan Dent, 1976. MoMA PS1 Archives, VIII.I.8. The Museum of Modern Art Archives, New York.
The Guggenheim and Whitney Libraries have collaborated to digitize selections from the personal libraries of Hilla Rebay and Juliana, the inaugural directors of the museums, respectively. The digital library—Art Resources from the Mid-20th Century: Digitized Highlights from the Libraries of Hilla Rebay and Juliana Force—is available publicly via the Internet Archive. They describe how the collections were developed by Rebay and Force, female museum directors whose institutions were both founded in the 1930s:
Each woman acquired a considerable library during her tenure, collecting materials ranging from the uncommon (gallery announcements from New York and beyond, as well as rare and unusual periodicals and books) to the required reading of the day (exhibition catalogs and major monographs on contemporary artists). These important resources influenced the two women, who in turn influenced the vision and development of their respective institutions, which remain integral to the city’s cultural life today.
The museum libraries digitized selected volumes from each collection to display the materials together online, which helps highlight the similarities and differences between each collection. The Internet Archive, which hosts the collection, offers robust functionality including cataloging data, and the ability to view the fully digitized materials online in a book reader software or to download as a PDF of e-book reader file, including EPUB and Kindle.
To visit the project collection page for Art Resources from the Mid-20th Century: Digitized Highlights from the Libraries of Hilla Rebay and Juliana Force, click here. For more information, please also explore project summaries from the Guggenheim and the Whitney.