All Things Visual: The University of Chicago Visual Resources Center

The Guggenheim and Whitney Libraries have collaborated to digitize selections from the personal libraries of Hilla Rebay and Juliana, the inaugural directors of the museums, respectively. The digital library—Art Resources from the Mid-20th Century: Digitized Highlights from the Libraries of Hilla Rebay and Juliana Force—is available publicly via the Internet Archive. They describe how the collections were developed by Rebay and Force, female museum directors whose institutions were both founded in the 1930s:

Each woman acquired a considerable library during her tenure, collecting materials ranging from the uncommon (gallery announcements from New York and beyond, as well as rare and unusual periodicals and books) to the required reading of the day (exhibition catalogs and major monographs on contemporary artists). These important resources influenced the two women, who in turn influenced the vision and development of their respective institutions, which remain integral to the city’s cultural life today.

The museum libraries digitized selected volumes from each collection to display the materials together online, which helps highlight the similarities and differences between each collection. The Internet Archive, which hosts the collection, offers robust functionality including cataloging data, and the ability to view the fully digitized materials online in a book reader software or to download as a PDF of e-book reader file, including EPUB and Kindle.

To visit the project collection page for Art Resources from the Mid-20th Century: Digitized Highlights from the Libraries of Hilla Rebay and Juliana Force, click here. For more information, please also explore project summaries from the Guggenheim and the Whitney.

The Bibliothéque Nationale de France recently released an iPad app for their digital library Gallica. The app, also called Gallica, contains nearly 2 million freely available items from the BnF, including books, journals, manuscripts, photographs, prints, posters, cards, and music scores among many others.

The app allows you to search or browse through all digitized material available through the BnF, and each document can be viewed in its entirety. You can create a favorites list, view the full bibliographic record, download entire documents or individual pages, email links, or share the object on social media outlets including Facebook and Twitter.

You can download the app here, or stop by the VRC to check it out on our iPad!

The Chester Beatty Library Seals Project:

is an online, interactive database of seal impressions found in Islamic Manuscripts… as a visitor to the site, you are invited to participate in deciphering the seals, identifying the individuals or institutions named, and adding information such as other sources of the same seal impression or other seals that name the same individual or institution.

As there is currently no convenient means by which to find or share information on seal impressions, we hope that this database will be a useful resource for anyone working on Islamic manuscripts.

A user guide is available here. Individual seals are available for download as low-resolution files for teaching or research. Seal records are also linked to the full manuscript so entire folios may be easily viewed.

The Tibetan and Himalayan Library (THL) collections of images are indexed by THL’s Place Dictionary and Knowledge Maps for easy exploration. View over 60,000 photos of Tibet and the Himalayas, many with links to maps.

The Tibetan and Himalayan Library is a publisher of websites, information services, and networking facilities relating to the Tibetan plateau and southern Himalayan regions. THL promotes the integration of knowledge and community across the divides of academic disciplines, the historical and the contemporary, the religious and the secular, the global and the local.

Images are linked together by topic, location, and collection for easy browsing and context. For more information, see the library’s main site.

NYPL Labs is proud to bring you the Stereogranimator, a tool for transforming historical stereographs from The New York Public Library’s vast collections into shareable 3D web formats. This site is all about your participation, so have fun with it, experiment with it, and let us know how we can improve it. In fact, this project wouldn’t even exist if it hadn’t been for a user like yourself getting creative with library collections. Here’s the story of how that happened…

 

The Reanimation Library recently announced the launch of the newly redesigned www.reanimationlibrary.org. About the collection:

It is a collection of books that have fallen out of routine circulation and been acquired for their visual content. Outdated and discarded, they have been culled from thrift stores, stoop sales, and throw-away piles, and given new life as a resource for artists, writers, cultural archeologists, and other interested parties.

Books may be searched by keyword or browsed by author, title, or subject. Book records are linked to any corresponding digitized images (usually including their covers). Visitors may also browse the digitized images visually.

Newberry Digital Exhibitions showcases cataloged, digitized materials that have been featured in past Newberry exhibitions. It recreates these exhibitions in digital form so that the information continues to be accessible even though the works have left the physical gallery space.

The newest digitized exhibitions include Illuminated Manuscripts and Printed Books: French Renaissance Gems of the Newberry Library and French Canadians in the Midwest.

A recent Princeton panel discussion summary sheds some light on current topics in arts libraries, including the ways access and preservation change in the digital world. Of note: an exploration of how new media artworks are captured and collected; a reflection on the myriad ways architects digitally design buildings (and the loss of information that sometimes results); and the copyright complexities of licensed, streaming musical performances.

Via IT’s Academic.

Donald Judd’s library houses 13,000 books spanning a range of subjects as broad as the artist’s thinking. Judd’s arrangement of the library reflects his sensitivity to geography and understanding of the development of the arts, languages and sciences across different cultures.

The Donald Judd Foundation provides a unique virtual tour through the artist’s personal library. It includes an interactive map of the space, which visitors can click to browse by shelf. A hyperlinked photograph of each shelf appears; next, visitors may click on individual books to see a brief description. Book-level records also supply links to a WorldCat database search for the material so that interested parties can find the nearest lending library for each book.

In 2006, the Met, MoMA, the Brooklyn Museum, and the Frick Collection teamed up to create NYARC: the New York Art Resources Consortium, a system which unites the resources and libraries of these institutions and makes them more accessible to both scholars and the general public. Funded by the Andrew W. Mellon Foundation, NYARC seeks to extend library and archive resources, services, and programming to a wider audience, and to facilitate collaboration between leading art research institutions.

Through NYARC’s website you can access the 800,000-record ARCADE database, which serves as a cohesive online source for the combined holdings of the Frick, MoMA, and the Brooklyn Museum. There is also a portal for WATSONLINE, the online catalog for the Museum of Modern Art. Finally, links to news posts alert you to current projects like the JSTOR Auction Catalog Pilot Project and new holdings in the NYARC museums.

To view the New York Times’ profile of NYARC, refer to this article from March 14th, 2010.

This blog post was contributed by student staff member Emilia Mickevicius.