The Getty Conservation Institute recently released a new resource called the Atlas of Analytical Signatures of Photographic Processes, which provides a growing collection of in-depth PDF guides of various photographic processes and their variants. The goal of the project is to help researchers and those working with photography collections correctly identify the photographic process of specific prints in their collections so as to make the safest decisions regarding the conservation, exhibition, and storage of the works.
The Atlas currently contains guides to eleven processes, including Albumen, Silver Gelatin, and Photogravure, and combines historic information about the process with information about how artists were using the technique in the darkroom, as well as contemporary conservation science knowledge.
For more information, explore the Atlas of Analytical Signatures of Photographic Processes.
SHERA (the Society of Historians of East European, Eurasian, and Russian Art and Architecture) recently launched a new website which boasts a news blog and a directory of more than 100 relevant art and architecture resources.
Broadway Photographers is a website devoted to the visual culture of the American theater from 1865–1965. It features biographical content of photographers and performers, as well as thematic modules about theatrical photography. The website can be browsed by photographer, performer, or production, and also by keyword searching.
For more information, visit Broadway Photographs: Photography and the American Stage.
This summer, the Europeana digital library launched its first app, Open Culture, which includes a selection of 350,000 images from its online collection of cultural objects from Europe’s institutions. The app is organizied around five curated themes, including Maps and Plans, Treasures of Art, Treasures of the Past, Treasures of Nature, and Images of the Past.
Users can perform keyword searches in the app, or browse through a visual wall of image thumbnails. You can also save favorites, add comments, and share object records on Facebook or Twitter. Perhaps best of all: the images included in the Europeana Open Culture app are either in the public domain or openly licensed, so they may be used for any publishing purpose.
For more information, stop by the VRC to explore Open Culture on our iPad, or visit the App Store.
Via Europeana Blog
Mummies are being imaged with CT scanners and 3D scanning technology to capture the interior as well as the exterior surfaces, colors, and textures of the mummy as well as the cartonnage and sarcophagus. Eventually these images will result in an interactive exhibition. The Guardian describes the project as such:
The Museum of Mediterranean and Near Eastern Antiquities (Medelhavsmuseet) in Stockholm, FARO and Autodesk have teamed up in a mummy visualisation project. The collection will be digitised using the latest 3D reality capture techniques and made available to museum visitors through an interactive exhibition experience.
Via The Guardian.
In the early 1970s, the Environmental Protection Agency hired more than 70 freelance photographers to take pictures of life in the United States as it intersected with the environment for the Project DOCUMERICA (1971–77). The National Archives has digitized more than 15,000 images from the project, and they are available online via NARA’s online catalog or though a Flickr collection that is much easier to browse.
You can browse by image topic, location, or photographer—and that’s where things start to get really interesting. Photographers hired for the project include Danny Lyon (AB ’63) and photojournalist John H. White (born 1945) who worked for the Chicago Defender and was recently laid off from the Chicago Sun Times along with the rest of their staff photographers.
Because the project was funded by the federal government, there are no copyright restrictions on the images, and users can download 300 dpi original size files from the Flickr collection. For more information and to explore the collection, visit Flickr and the National Archives.
Via Peta Pixel
Image: Danny Lyon. Albuquerque Speedway Park, One of Three Stock Car Race Tracks in Albuquerque, May 1972. 412-DA-2825. Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
SFMOMA recently launched a new web module, the Rauschenberg Research Project, which presents more than 85 works by the artist along with related contextual and archival materials. SFMOMA holds the premier collection of Rauschenberg’s work, spanning his career from 1949–98, including combines, sculptures, paintings, photographs, prints, and works on paper.
Each artwork record includes robust cataloging data based on up-t0-date research by SFMOMA, multiple views of the object with conservation notes, contextual essays on the object’s creation and life, and ownership, exhibition, and publication histories. There are also links to related archival materials including interview videos, curatorial documents and museum files, and related artworks.
Users have the option to download content from the website, including images that are of suitable size and quality for PowerPoint presentations and PDFs of the work catalog records and the contextual essay, as well as the option to download all available materials in a zipped folder.
The project was developed by SFMOMA in conjunction with the Getty’s Online Scholarly Catalog Initiative and the Robert Rauschenberg Foundation.
For more information and to explore the online collection, check out the Rauschenberg Research Project.
Via ArtDaily and Iris (The Getty).
Oxford University Press’s Grove Art Online and the National Gallery of Art, Washington DC, have created a new web module called Italian Renaissance Learning Resources with the support of the Samuel H. Kress Foundation. The module features eight units that provide thematic access to the art of the Italian Renaissance: Virgin and Child, Picturing Family and Friends, The Making of an Artist, a New World of Learning, Presentation of Self, Time and Narrative, Recovering the Golden Age, and Artists and Patrons. The eight units are can be cross-searched, and essays are presented for each theme. The website features more than 340 images as well as a host of other educational resources, including selections from primary source texts (transcribed but not digitally reproduced), a glossary, as well as discussion questions and activities for classroom use.
For more information, visit the Italian Renaissance Learning Resources.
During the Jazz Age, The Chicagoan magazine was published as a rip-off of the New Yorker, but for the Second City set. Although its writing was less-than-stellar, the magazine covers and interior illustrations were more than. Neil Harris, Preston & Sterling Morton Professor Emeritus of History and of Art History began researching the magazine in the late 1980s when he stumbled across it in the Regenstein library, and now a near-complete run is digitally available through the University of Chicago Library in The Chicagoan digital archive. The magazine’s run can be browsed on the web by date or by volume, and is also full-text searchable. In 2008, Harris published a book about the magazine, which folded in 1935, called The Chicagoan: A Lost Magazine of the Jazz Age.
For more information, check out The Chicagoan digital archive and Harris’ book The Chicagoan: A Lost Magazine of the Jazz Age.
Via Chicago Reader
Image: The Chicagoan, June 14, 1926 (vol. 1, no. 1), cover. Copyright The Quigley Publishing Company, a Division of QP Media, Inc.
The Image Collections and Fieldwork Archives at Dumbarton Oaks Research Library and Collection in Washington, D.C. recently digitized fourteen 16mm films from its collection. The 14 films include footage of the Dumbarton Oaks grounds from the mid-1920s to the 1940s, as well as films made by the Byzantine Institute during the 1930s and 1940s that document conservation efforts on site at the Red Sea Monastery of Saint Anthony (Egypt), Hagia Sophia (Istanbul), and Kariye Camii (Istanbul). Several of the films are in color, giving viewers a chance to see “the process of cleaning, restoration, and preservation in great detail, as well as the quality and visual impression of the mosaics in their most shining state.”
The digitized films have been made available through the video streaming service Vimeo, and can be embedded into websites.
For more information, explore the Moving Image Collection at Dumbarton Oaks and the collection accompanying archival materials in The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers.
Via ICFA Blog