Department of Art History, The University of Chicago
A recent Princeton panel discussion summary sheds some light on current topics in arts libraries, including the ways access and preservation change in the digital world. Of note: an exploration of how new media artworks are captured and collected; a reflection on the myriad ways architects digitally design buildings (and the loss of information that sometimes results); and the copyright complexities of licensed, streaming musical performances.
Via IT’s Academic.
The Database of Virtual Art seeks to document and ultimately preserve the evolving field of digital installation art. The database is intended for both researchers and artists, and digital media artists are encouraged to post content themselves. The web-based resource is free and allows browsing by artist name as well as keyword. Works, literature, people, events and institutions may also be searched.
Pictured: The Living Web by Christa Sommerer and Laurent Mignonneau, 2002.