All Things Visual: The University of Chicago Visual Resources Center

The Digital Public Library of America launched today, and currently features 10,000 images from ARTstor, maps and images from the David Rumsey collection, digitized materials (text and images) from several repositories in the United States, including the New York Public Library, the University of Illinois at Urbana-Champaign, the Biodiversity Heritage Library, the National Archives and Records Administration, and the Smithsonian Institution to name just a few.  More content and partners are expected to be added as the digital library grows (and one notable missing repository is the Library of Congress). The three-fold mission of the Digital Public Library of America is to serve as:

1. A portal that delivers students, teachers, scholars, and the public to incredible resources, wherever they may be in America. Far more than a search engine, the portal provides innovative ways to search and scan through the united collection of millions of items, including by timeline, map, format, and topic.

2. A platform that enables new and transformative uses of our digitized cultural heritage. With an application programming interface (API) and maximally open data, the DPLA can be used by software developers, researchers, and others to create novel environments for learning, tools for discovery, and engaging apps.

3. An advocate for a strong public option in the twenty-first century. For most of American history, the ability to access materials for free through public libraries has been a central part of our culture, producing generations of avid readers and a knowledgeable, engaged citizenry. The DPLA will work, along with like-minded organizations and individuals, to ensure that this critical, open intellectual landscape remains vibrant and broad in the face of increasingly restrictive digital options. The DPLA will seek to multiply openly accessible materials to strengthen the public option that libraries represent in their communities.

In addition to robust search and browse—format, place, and date—functions, the DPLA also has online exhibitions of curated materials that present a variety of cultural topics. You can sign up for a free account to create lists, save items, and save searches.

For more information, check out the DPLA! You may also be interested in checking out similar content aggregating projects on the web, including the World Digital Library and Europeana.

From ARTstor:

Please be advised that we will be performing an upgrade to the ARTstor Digital Library on Tuesday, April 16th between 6:00 AM and 1:00 PM EST. During this time, users will be able to access the Digital Library but may experience some slowness. This upgrade will eliminate the need for Java in the ARTstor Digital Library and single image downloads will be delivered in Zip files (find out why here).

If you have any difficulty with ARTstor on Tuesday morning, we suggest using LUNA for your image needs. If you are having problems with ARTstor after 1 pm EST, please contact userservices@artstor.org.

Oxford Art Online dramatically expanded their coverage of photography in April 2014:

This season Grove Art Online is pleased to present a group of more than 60 new and significantly updated articles on the topic of photography, developed in part in response to frequent reader requests for more expansive coverage of the history and practice of photography in Grove. The centerpiece of the project is a group of 16 new and significantly updated articles on key movements and concepts, including important pieces on documentary photography, digital photography, and the worker photography movement. The update also includes a set of 44 new biographies, South African photographer Ernest Cole, female portraitist Zaida Ben-Yosuf, 19th-century critic Francis Wey, and 20th-century curator John Szarkowski. Filling out this season’s update are another 90 photography-related articles with fully updated bibliographies to incorporate the latest research. Many thanks are due to the dedicated and accomplished scholars who contributed to this update, as well as to the institutions and individuals who generously provided over 120 stunning new illustrations to promote understanding of the texts. This new material complements Grove’s existing coverage of photography around the globe, and sets the stage for continued growth in coming years.

For access to Oxford Art Online (University of Chicago affiliates only), click here. To go directly to the newly updated Photography content, click here.

post Notes on Modern & Contemporary Art Around the Globe is an interactive platform hosted by the Museum of Modern Art that encourages participation in a wide variety of discussions pertaining to the contemporary art and archives. This began as the public face for MoMA’s research program C-MAP (Contemporary and Modern Art Perspectives in a Global Age Initiative):

post is a site for encounters between the established and experimental, the historical and emerging, the local and global, the scholarly and artistic. An online journal, archive, exhibition space, and open forum that takes advantage of the nonhierarchical nature of the Internet, post seeks to spark in-depth explorations of the ways in which modernism is being redefined. The site’s contents are intended to build nuanced understandings of the histories that shape the practices of artists and institutions today. As a networked platform, post aims to provide an alternative to the model of a unified art historical

For more information, visit post.

The Getty launched an app to go along with its exhibition Florence at the Dawn of the Renaissance, which ran from November 2012–February 2013. The app explores 7 objects from the exhibition in depth, including slide shows, animations, X-Ray and UV photographs, and pan and zoom functionality.

For more information, visit the Florence at the Dawn of the Renaissance iPad app, or stop by the VRC to check ours out!

Good news for ARTstor image users! ARTstor has eliminated the need for the Java plugin to download images from their digital library. ARTstor writes:

After our update, users who download single image files will receive a zip file that contains a JPEG image and an HTML file with the associated metadata. In addition to removing the need for Java, using zip will allow ARTstor to pursue other feature enhancements, such as additional options for image group downloads.

Mac users should have a problem, but PC users might have to install software to unzip the image folder. ARTstor suggests using 7Zip if you’re one of the affected users. Please feel free to contact the VRC if you’re having any issues downloading images from ARTstor.

Via ARTstor Blog

Google’s ever popular Google Art Project has recently expanded its offerings by adding Google Art Talks on Google Hangout. The talks will feature museum directors, curators, historians, and educators to discuss works represented in the Google Art Project or other topics relevant to the art world today:

An excellent guide often best brings an art gallery or museum’s collections to life. Starting this week, we’re hoping to bring this experience online with “Art Talks,” a series of Hangouts on Air on our Google Art Project Google+ page. Each month, curators, museum directors, historians and educators from some of the world’s most renowned cultural institutions will reveal the hidden stories behind particular works, examine the curation process and provide insights into particular masterpieces or artists.

So far, there have been two Art Talks hosted, including one from MoMA (March 3) and one from the National Gallery in London (March 28). The videos of the Google Hangouts have been added to YouTube.

The next talk, on April 15 at noon, will be about Bruegel’s Tower of Babel, which can be viewed as a gigapixel image on Google Art Project.

Google mentions that they have talks planned with the Metropolitan Museum in New York, the Museum of Contemporary Art in Los Angeles, the Museo Nacional de Arte in Mexico and the Museum of Islamic Art in Qatar.

Via Official Google Blog

The Los Angeles County Museum of Art recently launched a new collections website that features a faceted search engine that facilitates both browsing and direct searching of the museum’s objects. Most importantly, however, is LACMA’s initiative to release nearly 20,000 high-quality images of art objects from their collection believed to be in the public domain. Users can freely download the images and use them as they see fit.

In the object view above, we’ve circled the location of the “Download Image” feature to highlight where to find it. After you press the button, the image will immediately download for you to save and use as you see fit, providing it is inline with LACMA’s Terms of Use.

If you want to see all of the public domain objects for which downloading a high-quality image is possible, run a search on your research term and select “Show only unrestricted images” at the top of the page. Alternatively, if you’d like to all 20,000 objects LACMA has made freely downloadable, run a blank search and select “Show only results with unrestricted images” from the top of the page.

For more information, visit the LACMA Collections or consult the Terms of Use.

For even more information, we keep our list of Copyright Lenient Images for Academic Publishing up-to-date.

Via Unframed

The Public Domain Review (a project of the Open Knowledge Foundation) is a great resource that highlights a variety of digitized public domain resources and curated collections, including images, film, text, and audio. In addition, there are scholarly articles from various humanities disciplines that engage with the digital materials included on the site.

The Public Domain Review is a not-for-profit project dedicated to showcasing the most interesting and unusual out-of-copyright works available online.

All works eventually fall out of copyright – from classic works of art, music and literature, to abandoned drafts, tentative plans, and overlooked fragments. In doing so they enter the public domain, a vast commons of material that everyone is free to enjoy, share and build upon without restriction.

We believe the public domain is an invaluable and indispensable good, which – like our natural environment and our physical heritage – deserves to be explicitly recognised, protected and appreciated.

The Public Domain Review aims to help its readers to explore this rich terrain – like a small exhibition gallery at the entrance of an immense network of archives and storage rooms that lie beyond.

The PDR also has a thorough guide to finding interesting public domain works online. Collaborators include the Internet Archive, Europa, the Library of Congress, the Field Museum, the Boston Public Library, the California Digital Library, the Smithsonian Institution, the Getty, and more.

For more information, visit the Public Domain Review.

The Center for the Art of East Asia has recently announced the launch of a new and improved website for the digital handscroll paintings project:

One of the major types of traditional East Asian painting, the handscroll, or horizontal scroll, is meant to be appreciated by unrolling and viewing it section-by-section as a continuous composition. Unfortunately, the temporal and participatory aspects of viewing handscrolls cannot be readily experienced today, as the original paintings are far too valuable and fragile to be handled frequently. When shown in museums, they are always placed in glass cases and are seldom displayed in their entirety. For students and specialists seeking to view them, it is becoming increasingly difficult to obtain access to these important cultural materials. Beyond the rare opportunities to experience them in person, they are primarily known through static, fragmentary images in slides and as photographs in books. Fortunately, the digital medium has offered the potential for much greater exposure to these works of art, simulating the interactive viewing experience for which they were originally designed. The Center for the Art of East Asia (CAEA)at the University of Chicago has teamed with the Visual Resources Center (VRC) and Humanities Research Computing to develop this innovative digital presentation. Initially used as a course website, we are also developing it as a resource for teaching and research at other universities and for museum archiving and exhibition. The digital scrolling paintings website is a multi-functional tool that allows users to move through the scrolls and view elements of the painting in high resolution, with colophons, signatures, and seals of artists and collectors, and also to examine their media, materiality, and techniques of production. This is a means to fuller understanding of a work both in its details and as a composite of its many elements.

Digital technology presents these paintings as continuous scrolling images and offers various kinds of user interfaces such as auto-scrolling, zooming, and comparison. The newly designed website has more paintings accessible for public viewing and enhanced functions for searching, text annotations, and links to related material. We are continuing to add paintings to the public website and partnering with other institutions with a goal to create a more extensive public database of these invaluable works of art. We will include more rare works, Japanese painting, and calligraphy. The project has negotiated agreements to show paintings from the Art Institute of Chicago, Museum of Fine Arts, Boston, Nelson-Atkins Museum, Palace Museum, Beijing, St. Louis Art Museum, and the Smart Museum at the University of Chicago.

To learn more, visit the Digital Scrolling Paintings Project.