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Archive for the 'Modern – Contemporary' Category

Rauschenberg Research Project

rauschenberg

SFMOMA recently launched a new web module, the Rauschenberg Research Project, which presents more than 85 works by the artist along with related contextual and archival materials. SFMOMA holds the premier collection of Rauschenberg’s work, spanning his career from 1949–98, including combines, sculptures, paintings, photographs, prints, and works on paper.

Each artwork record includes robust cataloging data based on up-t0-date research by SFMOMA, multiple views of the object with conservation notes, contextual essays on the object’s creation and life, and ownership, exhibition, and publication histories. There are also links to related archival materials including interview videos, curatorial documents and museum files, and related artworks.

Users have the option to download content from the website, including images that are of suitable size and quality for PowerPoint presentations and PDFs of the work catalog records and the contextual essay, as well as the option to download all available materials in a zipped folder.

The project was developed by SFMOMA in conjunction with the Getty’s Online Scholarly Catalog Initiative and the Robert Rauschenberg Foundation.

For more information and to explore the online collection, check out the Rauschenberg Research Project.

Via ArtDaily and Iris (The Getty).

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The Chicagoan Digital Archive

During the Jazz Age, The Chicagoan magazine was published as a rip-off of the New Yorker, but for the Second City set. Although its writing was less-than-stellar, the magazine covers and interior illustrations were more than. Neil Harris, Preston & Sterling Morton Professor Emeritus of History and of Art History began researching the magazine in the late 1980s when he stumbled across it in the Regenstein library, and now a near-complete run is digitally available through the University of Chicago Library in The Chicagoan digital archive. The magazine’s run can be browsed on the web by date or by volume, and is also full-text searchable. In 2008, Harris published a book about the magazine, which folded in 1935, called The Chicagoan: A Lost Magazine of the Jazz Age.

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For more information, check out The Chicagoan digital archive and Harris’ book The Chicagoan: A Lost Magazine of the Jazz Age.

Via Chicago Reader

Image: The Chicagoan, June 14, 1926 (vol. 1, no. 1), cover. Copyright The Quigley Publishing Company, a Division of QP Media, Inc.

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AFRICOBRA in Chicago (and in LUNA)

africobrainchicago

Tomorrow, the Philosophy show of the three-part AFRICOBRA in Chicago exhibition opens at the Reva and David Logan Center for the Arts. AFRICOBRA in Chicago presents three current and upcoming shows in Chicago take a deserved look at the Black Arts Movement in Chicago and the African Commune of Bad Relevant Artists (AFRICOBRA), which was founded in 1968 by a group of Chicago artists. The three parts of the AFRICOBRA in Chicago exhibition are as follows:

  • Prologue, South Side Community Art Center, May 10–July 7, 2013 (curated by UChicago students)
  • Philosophy, Reva and David Logan Center for the Arts, June 28–August 7, 2013 (curated by Rebecca Zorach)
  • Art and Impact, DuSable Museum, July 26–September 29, 2013

Many works from the exhibitions are from the collection of the South Side Community Art Center. The VRC is proud to include over 350 images from the SSCAC publicly in our online LUNA database.

For more information about the exhibits, visit the AFRICOBRA in Chicago website.

Via UChicago News

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The Artists’ Books Showcase

artistsbooksshowcase

The Manuscript, Archive, and Rare Book Library (MARBL) at Emory University has recently launched an online exhibit for their extensive collection of artists’ books called The Artists’ Books Showcase. The website features a gallery of images of artists’ books photographed by the artists themselves as well as essay content about the works, including techniques and contextual information. A section of the website features artists books made by Emory undergraduate students.

For more information and to explore the online exhibit, visit the Artists’ Books Showcase.

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Map of Overpass Art in Chicago

Just in time for this great weather, Curbed Chicago and the Chicago Public Art Group have created a Google Map identifying great examples of public art underneath Chicago’s overpasses. The map includes several murals that are in Hyde Park, so happy exploring!

overpassartmap

For more information about public art resources, see our post about the Public Art Archive.

Via Curbed

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A Van Gogh Research Round-Up

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With the conclusion of an eight-year long research project, Vincent van Gogh has been in the news quite a bit recently. In 2005, the van Gogh museum teamed up with Shell and the Netherland’s Cultural Heritage Agency to research the materials, tools, techniques, and working processes of the artist. The website for the research project, Van Gogh’s Studio Practice, describes contains blog posts about how the researchers approached their work and describes the aims of their research. The results of the project were not earth-shattering, but the small surprises they discovered do deepen our understanding of van Gogh’s works and his psyche. The most talked about new discovery is the fact that The Bedroom was originally painted with violet walls, but since the red pigment of the paint faded, we know the work as having blue walls.

The new exhibition at the van Gogh Museum benefits from results of this lengthy research project, and is called Van Gogh at Work (May 1, 2013–January 12, 2014). The show will contain 200 works by van Gogh as well as some contemporary artists, as well as archival materials such as letters, sketchbooks, and the artist’s palette and paint tubes. The show will also include a digital re-creation of The Bedroom to show how it would have looked with the original violet walls.

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The Van Gogh Museum also has a web portal for van Gogh’s letters (written and received) that contains facsimiles, transcriptions, and detailed object information of some 900 letters and 25 miscellaneous loose sheets or drafts. You can browse the collection by period, correspondent, place, or limit your results to letters that contain sketches. Simple and advanced search features are also available. The website also contains a wealth of contextual essays, biographical information, and research tools including the publication history of van Gogh’s letters, a chronology, and detailed bibliographies of the individual letters. A few years ago, the Van Gogh Museum in Amsterdam released an app called Yours, Vincent: The Letters of Vincent Van Gogh, which contains digitized versions of van Gogh’s letters, sketches, and paintings as well as audio and video contextual clips.

Via ArtNews and the New York Times. For more information about van Gogh’s archival presence, visit Vincent van Gogh, The Letters or the Yours, Vincent app. You can always stop by the VRC to check it out, too!

Image: Vincent van Gogh. Self-portrait with a Straw Hat (verso: The Potato Peeler), probably 1887. The Metropolitan Museum of Art, 67.187.70a. Image © The Metropolitan Museum of Art.

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The Art of the Sublime at the Tate

art of the sublime

The Art of the Sublime is a research module that explores the concept of the sublime during several artistic movements, including the Baroque, the Romantic, the Victorian, and the modern. The project contains essays and case studies, illustrated by works of art from the Tate’s collection as well as literary examples. More about the project:

In 2008 Tate initiated a project to explore the history and current relevance of the sublime, particularly as reflected in Tate’s collection of historic and modern works of art. Supported by the Arts and Humanities Research Council, the project embraced a range of activities and outputs, including an exhibition and display at Tate Britain, conferences and specially made films.

To explore the project, visit the Art of the Sublime.

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Lee Miller Archives

leemiller

The Lee Miller Archives, located in East Sussex, England, is a privately run archive that maintains the legacy and career of the artist, including “60,000 negatives, mainly black and white, most of her manuscripts, captions, notes, letters and ephemeral material, her cameras, and some of her personal effects such as her US Army uniform.” Their website boasts an image collection of more than 3,000 of Lee Miller’s photographs, including final images as well as contact prints:

Following the exciting launch of our long-awaited online picture library over three thousand of Lee Miller’s photographs can now be seen together for the first time. Many of the images, converted from the original negatives or vintage prints into digital format, have not previously been in circulation and are a fascinating addition to the published work. All aspects of Lee’s remarkable career are represented, including her Surrealist images, World War II photo-journalism, 20th century fashion photography and celebrity portraiture!

Lee Miller was an icon of photography—both as a model and a photographer in her own right—beginning in the 1920s when she began modeling for Vogue staff photographers including Edward Steichen and George Hoyningen-Huene. She moved to Paris in 1929 and studied under Surrealist photographer Man Ray (the pair discovered the photographic technique of solarisation during this time), and soon after opened her own studio in New York. During World War II she served as a war photojournalist. After the war, her career remained closely tied to photography and the arts, and she died at the Farley Farm House in 1977, where the Lee Miller Archives is now located.

For more information, visit the Lee Miller Archives.

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post—Notes on Modern & Contemporary Art Around the Globe

post

post Notes on Modern & Contemporary Art Around the Globe is an interactive platform hosted by the Museum of Modern Art that encourages participation in a wide variety of discussions pertaining to the contemporary art and archives. This began as the public face for MoMA’s research program C-MAP (Contemporary and Modern Art Perspectives in a Global Age Initiative):

post is a site for encounters between the established and experimental, the historical and emerging, the local and global, the scholarly and artistic. An online journal, archive, exhibition space, and open forum that takes advantage of the nonhierarchical nature of the Internet, post seeks to spark in-depth explorations of the ways in which modernism is being redefined. The site’s contents are intended to build nuanced understandings of the histories that shape the practices of artists and institutions today. As a networked platform, post aims to provide an alternative to the model of a unified art historical

For more information, visit post.

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100th Anniversary of the Armory Show and New Web Resources

Galler 50, Art Institute of Chicago, Armory Show

In 1913, a landmark exhibition—the International Exhibition of Modern Art—also known as the Armory Show toured the country, first in New York at the 69th Regiment Armory (February 17–March 15), in Chicago at the Art Institute of Chicago (March 24–April 16), and Boston, at the Copley Society (April 23–May 14). For the first time ever, European modern and avant-garde artists such Brancusi, Duchamp, Matisse, and Picass were exhibited to the US public. And while New York and Boston each had presentations of the exhibition, Chicago was the only venue to exhibit the works in a fine art museum. And in celebration of the 100th anniversary of the Armory Show, there are new web resources that explore the development, installation, and reception of the

The Art Institute of Chicago has a web module about their presentation of the Armory Show, including background information about the individuals responsible for bring the Armory Show to the US, in situ gallery installation photographs mapped onto present day gallery spaces at the museum, PDFs of the original exhibition catalog, and other contextual information.

Armory Timeline, Archives of American Art

The Archives of American Art at he Smithsonian Institute has a timeline of the Armory Show, “The Story in Primary Sources,” that presents digitized documents pertaining to the watershed exhibition in chronological order. The project description describes how the various primary source materials provide context for the exhibition:

Together the letters, sales records, printed ephemera, and personal diaries paint a picture of the Armory Show that is as dynamic as the stunning diversity of works on display.

Both websites also include detailed bibliographic information for further research. For more information, explore the Art Institute’s website or the Archives of American Art’s website.

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