Slavic Forum 2011
Jacee Cho, University of Iowa: WHERE IS THE FEATURE [DEFINITE] ENCODED IN RUSSIAN? : EMPIRICAL DATA FROM L2 ACQUISITION
Andrew Dombrowski, University of Chicago: TYPOLOGIES OF LITERARY GRAMMAR: MEDIEVAL SLAVIC AND OTTOMAN TURKISH
Emily Ewers, University of Illinois at Urbana Champaign: MUSEUM, ARCHIVE AND HISTORICAL NARRATIVE IN RUSSKII KOVCHEG AND GOROD ZERO
Michael Furman, Ohio State University: IMPOLITENESS AND MOCK-IMPOLITENESS IN DOM 2
Anya Hamrick-Nevinglovskaya, University of Illinois Urbana-Champaign: PSYCHIC SURVEILLANCE: PUNITIVE PSYCHIATRY IN SOKOLOV’S A SCHOOL FOR FOOLS
Benjamin Jens, University of Wisconsin-Madison: VREME UMIRANJA: LEONID ANDREEV AND BORISLAV PEKIĆ
Colleen Lucey, University of Wisconsin-Madison: VIOLENCE AND ASPHYXIA IN IVAN VYRYPAEV’S PLAYS
Stephanie Mielcarek, University of Chicago: PERCHANCE TO DREAM: TRANSCENDING GENDER IN OLGA TOKARCZUK’S HOUSE OF DAY, HOUSE OF NIGHT
Daniel Pratt, University of Chicago: THE REVOLUTIONARY JA:MAYAKOVSKY AND BEZRUČ
Mario Slugan, University of Chicago: SOME METHODOLOGICAL CONCERNS REGARDING THE STUDY OF BALKANISM IN CINEMA
Anna Szawara, University of Chicago: JERZY PILCH’S MADWOMAN IN THE ATTIC: AN INQUIRY INTO THE MODERN WOMAN IN PILCH’S INNE ROZKOSZE
[Citiations to follow example: Slugan, Mario. 2011. Some Methodological Concerns Regarding the Study of Balkanism in Cinema. The Slavic Forum. http://lucian.uchicago.edu/blogs/theslavicforum/slavic-forum-2011. Accessed on XX-XX-XXXX]