Theories of Media Annotations

Adorno, Theodor, and Max Horkheimer. “The Culture Industry,” in Dialectic of Enlightment. New York: Seabury Press, 1972. pp.120-167. [view]

Alterman, Eric. What Liberal Media? New York: Basic Books, 2003. [view]

Arnheim, Rudolf. “A New Laocoon: Artistic Composites and the Talking Film” and “Film and Reality” from Film as Art. [view]

Bal, Mieke. Louise Bourgeois’ Spider. Chicago: U of C Press, 2001. [view]

Bal, Mieke and Norman Bryson, “Semiotics and Art History,” The Art Bulletin (Vol. 73, No. 2, June 1991) 174-298. [view]

Baudrillard, Jean. “Requiem for the Media” in For a Critique of the Political Economy of the Sign, trans. Charles Levin. St. Louis: Telos Press, 1981. pp. 164-184. [view]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Annotation 1. [view]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Annotation 2. [view]

Baxandall, Michael. “The Language of Art Criticism” in The Language of Art Criticism, edited by Salim Kemal and Ivan Gaskell. Cambridge UP, 1991. [view]

Bergson, Henri. “The Recognition of Images,” in Matter and Memory. New York: Zone, 1991. [view]

Bergson, Henri. “Of the Selection of Images for Conscious Presentation. What Our Body Means and Does,” in Matter and Memory. New York: Zone, 1991. [view]

Bernstein, J. M. “Aporia of the Sensible: Art, Objecthood, and Anthropomorphism,” in Interpreting Visual Culture: Explorations in the Hermeneutics of the Vision. Ed. Ian Heywood. New York: Routledge, 1998. 218-237. [view]

Bois, Yve-Alain . “Painting: The Task of Mourning,” in Painting as Model. Cambridge: The MIT Press, 1990. [view]

Bolter, J. David. Turing’s Man: Western Culture in the Computer Age. Chapel Hill: U of North Carolina Press, 1984. [view]

Booth, Wayne. Modern Dogma and the Rhetoric of Assent. Chicago: U of Chicago Press, 1974. [view]

Bourdieu, Pierre. “Introduction” and “The Aristocracy of Culture,” in Distinction: A Social Critique of the Judgement of Taste, translated by Richard Nice. Cambridge: Harvard UP, 1984. p. 1-96. [view]

Buck-Morss, Susan. “Aesthetics and Anaesthetics: Walter Benjamin’s Artwork Essay Reconsidered,” October 62 (Fall 1992): 3-41. [view]

Buck-Morss, Susan. “Dreamworlds of Mass Culture” in Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge: MIT Press, 2000. [view]

Chion, Michel. Audio-Vision: Sound on Screen. New York: Columbia UP, 1994. [view]

Chadabe, Joel. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall, 1997. [view]

Cole, Michael. “The Demonic Arts and the Origin of the Medium,” Art Bulletin (December 2002). [view]

Crary, Jonathan. Suspensions of Perception. Cambridge: MIT Press, 1999. [view]

Crimp, Douglas. On the Museum’s Ruins. Cambridge: MIT Press, 1995. [view]

Deleuze, Gilles. “The Movement-Image and Its Three Varieties,” in Cinema 1: the Movement-Image. [view]

Deleuze, Gilles. “Nomad Thought,” in The New Nietsche: Contemporary Styles of Interpretation, edited by David Allison. Cambridge: The MIT Press, 1985. [view]

Deleuze, Gilles and Felix Guattari. “Rhizome,” in A Thousand Plateaus. [view]

der Derian, James. “The (S)pace of International Relations: Simulation, Surveillance, and Speed.” International Studies Quarterly 34 (1990), pp. 295-310. [view]

Didi-Huberman, Georges. The Invention of Hysteria. Cambridge: The MIT Press, 2003. [view]

Dixon, Michael, ed. Anne Bogart: Viewpoints. Smith and Kraus, 1995. [view]

Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana UP, 1976. [view]

Flusser, Vilem. “Line and Surface” and “The Codified World,” in Writings, edited by Andreas Strohl. Minneapolis: University of Minnesota Press 2002. pp. 21-34; 35-41. [view]

Foster, Hal. “Art Critics in Extremis” and “This Funeral Is for the Wrong Corpse” in Design and Crime (and Other Diatribes). London: Verso, 2002, pp. 104-43. [view]

Foster, Hal. “The Artist as Ethnographer,” in The Return of the Real. Cambridge: The MIT Press, 1996. [view]

Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Bay Press, 1985. [view]

Frye, Northrope. “The Mythos of Winter: Irony and Satire,” in Anatomy of Criticism. [view]

Gilbert-Rolfe, Jeremy. Beauty and the Contemporary Sublime. New York: Allworth Press, 1999. [view]

Greenberg, Clement. “The Crisis of the Easel Picture,” “Collage” [view]

Greenberg, Reesa, Bruce W. Ferguson, and Sandy Nairne, eds. Thinking About Exhibitions. New York: Routledge, 1996. [view]

Grosz, Elizabeth. “Cyberspace, Virtuality, and the Real,” in Architecture from the Outside. Cambridge: MIT Press, 2001. [view]

Heidegger, Martin. “Age of the World Picture” [view]

Herder, Johann Gottfried. Sculpture: Some Observations on Shape and Form
from Pygmalion’s Creative Dream
. U of C Press, 2002. [view]

Higgins, Dick. Horizons: The Poetics and Theory of the Intermedia. Southern Illinois UP. [view]

Jameson, Fredric. “Reification and Utopia in Mass Culture,” in Signatures of the Visible. New York: Routledge, 1990. pp. 9-34. [view]

Kemal, Salim and Ivan Gaskell, eds. The Language of Art History. Cambridge UP, 1991. [view]

Kierkegaard, Soren. “The Immediate Erotic Stages or the Musical Erotic,” in Either/Or. [view]

Krauss, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames & Hudson, 2000. [view]

Kuspit, Donald. The Cult of the Avant-Garde Artist. Cambridge UP, 1993. [view]

Kwon, Miwon. “Genealogy of Site Specificity,” in One Place After Another: Site-Specific Art and Locational Identity. Cambridge: The MIT Press, 2002. [view]

Lacan, Jacques. “Anamorphosis,” in The Four Fundamental Concepts of Psycho-Analysis. Translated by Alan Sheridan. New York: Norton, 1978. pp. 79-90. [view]

Lacan, Jacques. “The Line and Light,” in The Four Fundamental Concepts of Psycho-Analysis. Translated by Alan Sheridan. New York: Norton, 1978. pp. 91-104. [view]

Lacan, Jacques. “The Split Between the Eye and the Gaze,” in The Four Fundamental Concepts of Psycho-Analysis. Translated by Alan Sheridan. New York: Norton, 1978. pp. 67-78. [view]

Lacan, Jacques. “What Is a Picture?” in The Four Fundamental Concepts of Psycho-Analysis. Translated by Alan Sheridan. New York: Norton, 1978. pp. 105-19. [view]

Laplanche, Jean, and J.-B. Pontalis. “Fantasy” and “Originary Fantasy” in The Language of Psycho-Analysis, translated by Donald Nicholson-Smith. New York: Norton, 1973. [view]

Lefebvre, Henri. The Production of Space. Malden: Blackwell Publishers, 1991. pp.
130-168. [view]

McGurl, Mark. “The Mind’s Eye and Mental Labor: Forms of Distinction in the Fiction of Henry James,” in The Novel Art. Princeton: Princeton UP, 2001. [view]

McLuhan, Marshall. “Myth and Mass Media,” in Myth and Mythmaking, edited by Henry A. Murray. New York: Braziller. [view]

Merleau-Ponty, Maurice. “Eye And Mind,” in The Primacy of Perception, edited by James M. Edie. Evanston: Northwestern UP, 1964. pp.159-190. [view]

Merleau-Ponty, Maurice. “The Theory of Body Is Already a Theory of Perception,” in Minimalism, edited by James Meyer. London: Phaidon Press, 2000. [view]

Prashad, Vijay. Everybody was Kung-Fu Fighting: Afro-Asian Connections
and the Myth of Cultural Purity
. Boston: Beacon Press, 2001. [view]

Reed, Adolph, “The Jug and Its Content: A Perspective on Black American Political Development” in Stirrings in the Jug: Black Politics in the Post-Segregation Era. Minneapolis: University of Minnesota Press, 1999. [view]

Rutsky, R. L. “Technological Fetishism and the Techno-Cultural Unconscious,” in High Techne: Art and Technology from the Machine Aesthetic to the Posthuman. Minneapolis: U of Minnesota Press, 1999. pp. 129-57. [view]

Schapiro, Meyer. “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs.” Semiotica, I, 1969, 223-242. [view]

Steiner, Wendy. The Colors of Rhetoric. Chicago: U of Chicago Press, 1986. [view]

Turing, A. M. “Computing Machinery and Intelligence.” Mind: A Quarterly Review of Psychology and Philosophy, October 1950: 433-460. [view]

Vidler, Anthony. Warped Space. Cambridge: The MIT Press, 2000. [view]

Virilio, Paul. The Aesthetics of Disappearance. Translated by Philip Beitchman. NY: Semiotext(e), 1991. [view]

Virilio, Paul. A Landscape of Events. Trans. Julie Rose. Cambridge: MIT Press, 2000. [view]

Žižek, Slavoj. “From Virtual Reality to the Virtualization of Reality,” in ,Electronic Culture: Technology and Visual Representation, edited by Tim Druckrey. New York: Aperture, 1996. pp.290-295. [view]

Žižek, Slavoj. Organs Without Bodies: On Deleuze and Consequences. (New York and London: Routledge, 2004). [view]

Žižek, Slavoj. Organs Without Bodies: On Deleuze and Consequences. (New York and London: Routledge, 2004) 149-182. [view]