RECENT WORK
[To request papers that not available online, please write to historicalpoetics@gmail.com]
Forthcoming
Ilya Kliger and Boris Maslov, eds. Persistent Forms: Explorations in Historical Poetics. Under review with Fordham UP (series “Studies in Poetics”).Table of Contents (revised).
Ilya Kliger, “Non-synchronous Modernity and Tragic Nationalism in Dostoevsky and Nietzsche.” Forthcoming in Dostoevsky and Nietzsche, eds. Jeff Love and Jeffrey Metzger, Northwestern University Press.
Kate Holland, The Novel in the Age of Disintegration: Dostoevsky and the Problem of Genre in the 1870s. Forthcoming. Northwestern University Press, 2013. [PDF Available from author on request.]
Boris Maslov, “Comparative Literature and Revolution, or the Many Arts of (Mis)reading Alexander Veselovsky.” Forthcoming in Compar(a)ison: An International Journal of Comparative Literature.
Vladislav Prostsevichus and Victoria Somoff, “Intonation and Fiction.” Forthcoming.
2012
Ilya Kliger, “Resurgent Forms in Ivan Goncharov and Alexander Veselovsky: Toward a Historical Poetics of Tragic Realism.” Russian Review 71.4 (2012): 655-672.
Michael Kunichika, “ ‘The Scythians Were Here…’ On Nomadic Archaeology, Modernist Form, and Early Soviet Modernity.” Ab Imperio. 2012. № 2. P. 229-257.
Michael Kunichika, “’The Ecstasy of Breadth’: The Odic and the Whitmanesque in Dziga Vertov’s One Sixth of the World (1926).” Studies in Russian & Soviet Cinema 6.1 (2012) 53-74.
Boris Maslov, “Pindaric temporality, Goethe’s Augenblick, and the invariant plot of Tiutchev’s lyric.” Comparative Literature 64.4 (2012) 356-381.
Boris Maslov, “The real life of the genre of prooimion.” Classical Philology 107.3 (2012) 191-205.
Boris Maslov, “From (theogonic) mythos to (poetic) logos: reading Pindar’s genealogical metaphors after Freidenberg.” Journal of Ancient Near Eastern Religions 12.1 (2012) 49-77.
2011
Ilya Kliger, “Genre and Actuality in Belinskii, Herzen, and Goncharov: Toward a Genealogy of the Tragic Pattern in Russian Realism.” Slavic Review 70.1 (2011) 45-66.
Ilya Kliger, “Dostoevsky and the Novel-Tragedy: Genre and Modernity in Ivanov, Pumpyansky, and Bakhtin.” PMLA 126.1 (2011) 73–87.
Jonathan Ullyot, “Molloy or Le conte du Graal.” Modern Philology 108.4 (2011) 560-79.
2010
Ilya Kliger, “World Literature Beyond Hegemony in Yuri Lotman’s Cultural Semiotics,” Comparative Critical Studies 7.2-3 (2010) 257-274.
Leslie Kurke, Aesopic Conversations: Popular Tradition, Cultural Dialog, and the Invention of Greek Prose, Princeton UP , 2010.
Victoria Somoff, “No Need for Dogs or Women: Muteness in Turgenev’s ‘Mumu’.” Russian Literature 68:3-4 (2010), 501-520.
before 2010
Christopher Faraone, The Stanzaic Architecture of Early Greek Elegy, Oxford UP, 2008.
Kate Holland, “Novelizing Religious Experience: The Generic Landscape of The Brothers Karamazov,” Slavic Review 66.1 (2007): 63-81
Kate Holland, “Literary Contexts of Triangular Desire: Natalie and Alexander Herzen as Readers of George Sand,” Russian Literature 61. 1-2 (2007): 175-205
Leslie Kurke, “Plato, Aesop, and the Beginnings of Mimetic Prose,” Representations 94 (2006) 6-52.
Richard P. Martin, “Words Alone are Certain Good(s): Philology and Greek Material Culture,” Transactions of the American Philological Association 138.2 (2008) 313-349.
Boris Maslov, “The semantics of aoidos and related compounds: Towards a historical poetics of solo performance in Archaic Greece.” Classical Antiquity 28.1 (2009) 1-38.
Boris Maslov, “Traditsii literaturnogo diletantizma i esteticheskaia ideologiia romana ‘Dar’” [Traditions of literary dilettantism and the aesthetic ideology of Nabokov’s The Gift]. In: Imperiia N: Nabokov i nasledniki. Ed. Iu. Leving and E. Soshkin, 37-73. Moscow: NLO, 2006.
Igor Smirnov. “O teorii zhanrov.” Die Welt der Slaven 50.2 (2005): 322-361.
Victoria Somoff, “On the Metahistorical Roots of the Fairytale.” Western Folklore 61 (2002), 277-294.
Victoria Somoff (Nesterenko), “Proizvedenie morali: analiz basni” (Production of Morality: Analysis of the Fable, Voprosy literatury, 2 (1998), 97-120.
Victoria Somoff (Nesterenko), “Chudo kak sobytie v slove” (Miracle as a Narrative Event), Voprosy literatury, 1 (1997), 103-116.
