Degrees Conferred, 2010-11
Rumya Putcha, “Revisiting the Classical: A Critical History of Kuchipudi Dance,” defended September 1, 2011
Mark Yeary, “Virtual Pitch and the Perception of Harmony,” defended August 2, 2011
Luis-Manuel Garcia, “Can You Feel It, Too?”: Intimacy and Affect at Electronic Dance Music Events in Paris, Chicago, and Berlin,” defended July 19, 2011
Gary DeSorbo, “Disclosure,” defended May 20, 2011
Steve Winfield, “Distant Glimmerings,” defended May 11, 2011
Eun Young Lee, “sori,” defended May 11, 2011
April Mok, “Better Angels,” defended May 10, 2011
Karen Woodworth, “Music in the Court of Mary Stewart, 1561-1567,” defended May 6, 2011
Chen Yao, “Paramita,” defended May 3, 2011
Jim Sykes, “The Modern Transformation of the Musical Gift: Sound, Buddhism and the Politics of Belonging in Sri Lanka,” defended March 4, 2011
Feng Shu Lee, “Ending the Ring,” defended January 6, 2011
Doug Ipson, “’Giuriama per la Patria’: The Operatic Oath Scene in Revolutionary Rome, 1846–1849,” defended January 5, 2011
Peter Spragins, “The London Keyboard Sonatas of J.C. Bach: Galant Music Aesthetics, Elite Culture, and Analogies to the Mid-Century British Novel,” defended November 8, 2010
Peter Kupfer, “Music, Ideology, and Entertainment in the Soviet Musical Comedies of Grigory Aleksandrov and Isaak Dunaevsky,” defended November 2, 2010