Blog Archives

CFP: “Jews in Image and Imagination: Body, Gender, and Sexuality in Representation”

Call for Papers

“Jews in Image and Imagination: Body, Gender, and Sexuality in Representation”

Jewish Studies Graduate Student Association Conference, Indiana University Bloomington
Thursday, February 7 -Friday, February 8, 2013
Keynote Speaker: Charlotte E. Fonrobert, Stanford University

Proposal submission deadline: Monday, November 26, 2012

The inaugural conference of the Jewish Studies Graduate Student Association at Indiana University Bloomington, sponsored by the Robert A. and Sandra S. Borns Jewish Studies Program, “Jews in Image and Imagination: Body, Gender, and Sexuality in Representation” will explore the representational relationship between Jews and sexuality, Jews and gender, Jews and physicality, and Jews and the body. How have Jews imagined themselves throughout history and how do they imagine themselves today? Or, how do others imagine Jews or even “the Jew”? Appropriate proposals might explore such topics as the new Israeli masculinity in Hebrew literature, the figuring of queer Jews in film, Jews on stage, representations of Jews in the medical profession, medicine’s treatment of Jews, or Jews in athletics. The conference is designed to encompass a range of academic subjects, while producing a sustained and focused debate about how Jews have appeared in literary and artistic works.

Dr. Charlotte E. Fonrobert, Professor of Religion at Stanford University, will deliver the keynote address on Thursday. Her research on sexuality in Talmudic literature will serve at the centerpiece of graduate panel discussions. These discussions will comprise four themed panels of graduate students grouped according to research interests. Authors will deliver a 20-minute paper, allowing for response and questions.

We invite graduate students to submit proposals for their papers, which should include the following information attached:

1. A paper title
2. An abstract of a minimum of 250, and no more than 350, words
3. Contact information, including name, mailing address, email address, telephone number, and graduate institution.

Please send proposals as an e-mail attachment to Joseph Bradley Hayden, conference chair, at jbhayden@indiana.edu with “Jewish Studies Graduate Student Conference Proposal” as its subject. Proposals are due by Monday, November 26, 2012. Final decision will be made no later than Dec 15.

Scholars will provide their own travel and lodging expenses.

Posted in: Calls for Papers and Upcoming Conferences

The Scale Model: An Interdisciplinary Symposium

The Scale Model: An Interdisciplinary Symposium
Nov 2-3, 2012
To be held at Northwestern University

Check back soon for more information.

Posted in: CEERES Events/News

Bruno Schulz: An Unfinished Modernist Project

Bruno Schulz: An Unfinished Modernist Project
POLI 38600/28600, JWSC 26360
Autumn Quarter 2012-2013

Time: Monday, 1:30PM-4:20PM
Room: Pick Hall 002
Instructor: Bożena Shallcross
Office hours: Tuesday, 1:00-4:00PM and by appointment
Office: Foster Hall 508
Telephone: 773.702.7734
E-mail address: bshallcr@uchicago.edu

The course examines the fictional, non-fictional and visual oeuvre of the brilliant Polish-Jewish modernist Bruno Schulz who perished in the Holocaust. During the course, we will focus on the several threads of his peculiar blending of experimental and modernist tendencies with the Jewish tradition; his conceptualization and use of the fragment; textual transformations of Bergsonian temporality as fused with messianism and his formulation of the moment as both auratic and poetic; the concept of the book, as well as the articulation of childhood. We will seek critical insight into his artistic predilection for peripheral places and conspiratorial perspectives, heresies, masochism, the aesthetic of trash, in sum, those components of his represented world, which made him an illusive modernist like no other in his time. The course will be supplemented by an analytical glimpse at the construal of Schulz’s legend in contemporary American fiction (Cynthia Ozick, Jonathan Safran Foer, and Nicole Krauss). All readings are in English.

Posted in: Course listings

Autumn Polish Courses

Elementary Polish / First Year Polish (POLI 101, 102, 103)
In Elementary Polish the stress is on learning the language through constant use. During the Fall quarter students acquire basics of grammar and vocabulary. During the Winter and Spring quarters, students continue to study grammar and spend more and more time on reading and discussing various texts on modern life in Poland. The goal of the entire year long sequence is to get the students to the point where they are ready to start reading short works of Polish literature and to work with fairly advanced conversation material by the beginning of the second-year course.

Intermediate Polish / Second Year Polish (POLI 201, 202, 203)
The primary goal of second year Polish is to expand the student’s speaking, reading and writing skills by building on grammar and vocabulary learned during the first year of study. As a complement to the linguistic side of the course, the student will gain a greater familiarity with Polish history and culture through varied means including readings of literary works, articles from contemporary Polish newspapers and movies.

Advanced Polish / Third Year Polish (POLI 301, 302, 303)
The goal of this course is to help students widen their knowledge about contemporary Polish literature, film and politics while expanding their knowledge of vocabulary and grammar. The students read Polish literary and historical texts from the 20th and 21st centuries, watch films, read and discuss the news. Topics of stylistics and grammar are covered as well in the course as well.

Polish Through Literary Readings – Fourth/Fifth Year Polish (POLI 401-406)
An advanced language course emphasizing spoken and written Polish. Readings include 20th and 21st century prose and poetry, as well as nonfiction. Intensive grammar review and vocabulary building. For students who have taken POLI 301-302-303 and for native or heritage speakers who want to read Polish literature in the original. Readings and discussions in Polish.

Posted in: Course listings

Autumn Courses in Balkan Literature and Film

Strangers to Ourselves: Émigré Literature and Film from Russia and South Eastern Europe
SOSL 26900, SOSL 36900, RUSS 26900, RUSS 36900, CMLT 26902, CMLT 36902
The taste of a very ripe juicy tomato. The smell of mom’s cooking coming from the kitchen. The timbre of my brother’s voice. The fluid cadence of my native speech. The caress of eyes who have known me since I was born. And their venom.

The authors whose works we are going to examine often alternate between nostalgia and the exhilaration of being set free into the endless possibilities of new lives. Leaving home for them does not simply mean movement in space. Separated from the sensory boundaries that defined their old selves, immigrants inhabit warped time in fragmentary, disjointed selves. Immigrant writers struggle for breath – speech, language, voice, the very stuff of their craft resounds somewhere else. Join us as we explore the pain, the struggle, the failure and the triumph of emigration and exile. Vladimir Nabokov, Julia Kristeva, Alexander Hemon, Vassily Aksenov, Dubravka Ugrešić, Tea Obreht, Milcho Manchevski, Norman Manea

The Other within the Self: Identity in the Balkans through Literature and Film
This two-course sequence will examine discursive practices in a number of literary and cinematic works from the South East corner of Europe through which identities in the region become defined by two distinct others: the “barbaric” Ottoman and the “civilized” Western European.

Part One:
Returning the Gaze: The Balkans and Western Europe
SOSL 27200, SOSL 37200, CMLT 23201, CMLT 33201, NEHC 20885, NEHC 30885

Why should we study the Balkans? Fascinating in itself, the area can also provide insights into the intricately connected power and identity dynamics between the “West” (as the center of economic power and normative, civilized humanity) and the “Rest” (as the poor, backward, and often violent periphery). “Returning the Gaze” investigates the complex relationship between South East European self-representations and the imagined Western “gaze” for whose benefit the nations stage their quest for identity and their aspirations for recognition. We will focus on the problems of Orientalism, Balkanism and nesting orientalisms, as well as on self-mythologization and self-exoticization. We will also think about differing models of masculinity, and of the figure of the gypsy as a metaphor for the national self in relation to the West. The course will also consider the role that the imperative to belong to Western Europe played in the Yugoslavian wars of succession. We conclude with Orhan Pamuk’s contemplation on the relation between Turkey and Western Europe in his Nobel Prize novel Snow. Territorially spread between Southeastern Europe and Asia Minor and bidding for EU membership, Pamuk’s Turkey puts the problems of gazing and being gazed at in even starker hues and opens up the concerns of the course beyond the specificity of the Balkans and to the broader definition of “the Rest” returning the gaze of “the West.”

Posted in: Course listings

A Close Viewing: Bondarchuk’s War and Peace Part III

Film Studies Center
6pm

Like Tchaikovsky’s 1812 Overture, the depiction of the Battle of Borodino in Sergei Bondarchuk’s War and Peace is a bombastic and bone-shaking work of art. It is a legendary technological and organizational achievement, featuring thousands of extras and explosives in some of the most complicated shots ever committed to film. But it is also notable for its experiments with point of view, long tracking shots, and complex mise-en-scene, centered on the figure of the director himself, who, as Tolstoy’s main character Pierre Bezukhov, wanders through the scene in a white top hat and spectacles, marveling at what he is filming. To mark the 200th anniversary of Russia’s confrontation with Napoleon’s Grand Army, we will watch Part III of Bondarchuk’s film, the majority of which is devoted to the battle, and which (like the film’s other segments) appeared on Soviet screens as a separate release. The battle achieves its own climactic ending, and will leave us with plenty to talk about.

War and Peace, Part III
Sergei Bondarchuk
Mosfilm, 1967
77 min.
In Russian with English subtitles

Introduction and post-film discussion by William Nickell (Slavic Languages & Literatures)

A Slavic Colloquium event, sponsored by the Department of Slavic Languages & Literatures & CEERES

Posted in: CEERES Events/News

Seminar at the Newberry: “Tolstoy’s Family Happiness and Anna Karenina”

Tolstoy’s Family Happiness and Anna Karenina at the Newberry Library in the fall.

Saturdays, 10 am – Noon
September 29 – December 8 (class will not meet November 24)
Ten sessions, $210

Saturdays, 1 – 3 pm
September 29 – December 8 (class will not meet November 24)
Ten sessions, $210

How does Tolstoy narrow the gap between literature and life? We will move from the early and delicate Family Happiness to the intense world of Anna Karenina, examining Tolstoy’s poetics, key themes, and philosophical perspectives on family mores. The texts will be supplemented with biographical, historical, and critical material provided by the instructor. Please read Family Happiness for the first meeting.

Read more

Posted in: Chicago Events, Course listings

Autumn Course: Imperial Europe

Instructor: Faith Hillis
TuTh 10:30-11:50PM

This colloquium examines the inner workings of modern Europe’s imperial societies, drawing on case studies of the empires that maintained overseas colonies as well as the continent s overland powers (the Russian, Austro-Hungarian, and Ottoman empires). It considers technologies of imperial rule as well as everyday life in imperial societies, asking what kinds of political cultures, communities, and identities empires have produced. The class will be run in a workshop format: we will devote Tuesday classes to discussing exemplary studies of imperial societies, and we will devote Thursday classes to discussing historiographical approaches and research techniques. Over the course of the quarter, students will be expected to design and carry out an original research project. Please come to the first day of class having read and ready to discuss Jane Burbank and Frederick Cooper, Empires in World History: Power and the Politics of Difference (2010).

Posted in: Course listings

Mellon and CIC fellowships

MELLON/ACLS DISSERTATION COMPLETION FELLOWSHIP

· This fellowship supports a year of research and writing to help advanced graduate students in the humanities and related social sciences in the last year of Ph.D. dissertation writing.

· The total award of up to $33,000 includes a stipend plus additional funds for university fees and research support.

· Deadline: October 24, 2012 at 9p.m. EST

· See attached announcement for more details.

CLIR Mellon Fellowship for Dissertation Research in Original Sources

· This fellowship is designed to help junior scholars in the humanities and related social science fields gain skill and creativity in developing knowledge from original sources. It enables dissertation writers to do research using original sources in libraries, archives, museums, historical societies, and related repositories in the U.S. and abroad.

· A stipend of $2,000 per month for periods ranging from 9-12 months. Each fellow will receive an additional $1,000 upon participating in a symposium on research in original sources and submitting a report acceptable to CLIR on the research experience. The maximum award will be $25,000.

· Deadline: November 14, 2012 at 5p.m. EST

· See attached announcement for more details.

SSRC International Dissertation Research Fellowship (IDRF) Program

· The Mellon International Dissertation Research Fellowship (IDRF) offers nine to twelve months of support to graduate students in the humanities and humanistic social sciences who are enrolled in PhD programs in the United States and conducting dissertation research on non-US topics.

· Fellowship amounts vary depending on the research plan, with a per-fellowship average of $20,000.

· Deadline: November 7, 2012

· See attached announcement for more details.

CIC/Smithsonian Institute Fellowship

· The Committee on Institutional Cooperation (CIC) and the Smithsonian Institution invite applications for one-year fellowships to support research in residence at Smithsonian Institution facilities. All fields of study that are actively pursued by the museums and research organizations of the Smithsonian Institution are eligible.

· The stipend is $30,000 for one year, and fellows are eligible for tuition and health insurance benefits in accordance with their university policy. Fellows are eligible to receive allowances for related expenses and for temporary relocation to the Smithsonian.

· Deadline: October 31, 2012.

· NOTE: The CIC website will be updated on October 1 with current program description and application instructions, including web link to application. You will receive an official announcement at that time.

Posted in: Resources (Funding, Study Abroad, Internships, etc.)

Autumn Course: International Human Rights

International Human Rights
Instructor: Thomas Ginsburg,Leo Spitz Professor of International Law; Ludwig and Hilde Wolf Research Scholar; Professor, Political Science
HMRT 37700 (= LAWS 96101, PLSC 56101)

This course is an introduction to international human rights law, covering the major instruments and institutions that operate on the international plane. It includes discussion of the conceptual underpinnings of human rights, the structure of the United Nations System, the major international treaties, regional human rights machinery, and the interplay of national and international systems in enforcing human rights. There are no prerequisites. Grading will be on the basis of a take-home exam at the end of the quarter. Students who wish to write, in lieu of the exam, a paper sufficient to satisfy the substantial requirement, may do so upon approval of the topic in advance.

Posted in: Course listings