April 9th, 2014 § § permalink
A guest post by Jeff McMahon, MAPH Writing Advisor (MAPH ‘ 02)
S.W. (Steven) Flores (MAPH ’10) has a story in the current issue of Contrary that satirizes creative writing workshops at their less than optimum. Flores is a second-year MFA student at the University of Wisconsin-Madison.
His story is in no way reflective of the UW-Madison MFA, he says, which he “loves to death!”, or of workshops at Chicago, but the story may be influenced by some other workshops he’s experienced.
“And, really, it’s just fiction.”
Oh, but is fiction ever just fiction? » Read the rest of this entry «
March 21st, 2014 § § permalink
Film historian, writer, and filmmaker Stephen Tapert, who earned his M.A. from The University of Chicago in 2002 and later worked at the Academy of Motion Picture Arts and Sciences, is set to curate his first exhibition at the world’s largest film museum: The Museo Nazionale del Cinema in Turin, Italy. » Read the rest of this entry «
February 7th, 2014 § § permalink
Pipilotti Rist, Zimmer –Interactive video art installation, 1994/2000/2007. From Selective Viewing.
Kate Blair (MAPH ’13) writes about her continuing exploration of film, video, and other visual media on her blog Selective Viewing. It includes reviews and » Read the rest of this entry «
November 8th, 2013 § § permalink
The editors of Colloquium invite you to the Third Issue Launch Party/First Birthday Party!
September 24th, 2013 § § permalink
Reaching out to the city’s newcomers, this week’s Newcity (“The Chicago Manual”) explores life at UChicago and in the South Side. The issue features pieces by three 2013 MAPHers: Greg Langen’s reflections on the value of embracing CTA-derived anonymity, Amanda Scotese’s guide to on-campus architecture, and Charlie Puckett’s breakdown of an exciting new Hyde Park establishment. » Read the rest of this entry «
September 5th, 2013 § § permalink
The Odyssey Project‘s summer class just released the new issue of In Medias Res. Filled with original content by Odyssey Project students and alumni, the new issue features artist profiles, original fiction, restaurant reviews, interviews, poetry, photography and more. All work was produced during this summer’s seminar, In Media Res: Arts & Literary Publications, led by Greg Langen (MAPH ’13). » Read the rest of this entry «
August 27th, 2013 § § permalink
A post from Emma Martin (AM ’11) on her new writing project, Side Dish mag, a community blog for writers and non-writers alike:
» Read the rest of this entry «
August 20th, 2013 § § permalink
Curious where MAPH writers are now? Wondering what new publications have come out? Check out the recently updated MAPH Writers page on our website. There you’ll find a list of alumni, links to novels, essays, poems, and blogs, and what writers are working on now.
Don’t see your published work there? Please let us know! We would love to feature you and your work on the website.
May 31st, 2013 § § permalink
Dear MAPHers, past and present –
Today is your last chance to register for Alumni Weekend and see what’s going on inside MAPH’s new journal, Colloquium. Colloquium is an online journal run entirely and independently by MAPH alumni and current students.
We’ll be launching our second issue at MAPH’s Alumni Weekend event, and it’s going to be fantastic. Issue 2.1 has Bauhaus, the Italian avant-garde, rebels and militants, sitars and soundscapes, three poets, short fiction, a cat called Mouloud, and a not-inconsiderable amount of spectroscopy.
At the University of Chicago and in MAPH in particular, we joined – for a lifetime – a community of humanists, world-changers, and fierce question-askers. We chase the ineffable and, in one form or another, we chronicle that pursuit. Those chronicles are how we talk together when we can’t talk together. When we founded Colloquium last year, it was to give a home to these chronicles-as-conversations.
The only thing better than having all these conversations happening in one online journal is having them face-to-face. Come and experience Colloquium at Alumni Weekend – or better yet, become a part of it.
Founding Editor of Colloquium
Continue reading for the bios of the participants in the Colloquium panel: » Read the rest of this entry «
May 3rd, 2013 § § permalink
Spring has returned to Chicago, and with it a bounty of new publications by MAPH alumni. Leila Wilson (AM ’03) and Gregory Lawless (AM ’04) each have a volume of poetry out in which the authors examine their complex relationships with the landscapes of their past and present. Read on for more information in the authors’ own words.
Leila Wilson, The Hundred Grasses (Milkweed Editions, 2013)
Leila on The Hundred Grasses:
My poems are rooted in the flatlands and lowlands: the Midwestern lawns, lakes, fields, and creeks of my childhood, and the Dutch farms, canals, and seascapes near my family’s home in Holland. Much of my poetry focuses on those instances when a space exerts itself beyond recognition, when it seems to estrange itself so that it may be renegotiated. For me this is a process of embedding my examination in the musicality of language and paying close attention to the breath of a line.
Leila will be reading from The Hundred Grasses at the Seminary CoOp on 5/21, and at the Chicago Cultural Center on 5/23. More information about her upcoming readings is available at the publisher’s website.
You can purchase The Hundred Grasses from the publisher’s website or from Amazon.
Gregory Lawless, Foreclosures (Back Pages Books, 2013)
Greg’s one-sentence synopsis of his newest volume of poetry is, “Voyeuristic pastoralist suffers ecopoetical ravings in Ambivalence, PA.”
In an interview on his blog, Greg goes on to write:
…Foreclosure compares to any book of poetry that hovers nervously in the vicinity of the fraught pastoral, simultaneously wary of and lured by it. Many contemporary pastoral poems regard themselves as anti-pastorals, or post-pastorals—they imagine that the pastoral is impossible because it’s terminally problematic, and, thus, they fret in the wake of that “fact.” The poems in Foreclosure fret differently, I guess—not by abandoning convention or reference altogether, but by manifesting what I call critical ambivalence toward them—at times embracing, and at times rejecting these things, as the poems demand. But ultimately this is a book born of familiarity with a place.
You can purchase Foreclosure from the publisher’s website.
If you know of other recent publications by MAPH graduates that you think should be profiled, email us!